Tuesday, October 6, 2015

Science Fiction & Fantasy class essays: Dracula by Bram Stoker

That Dracula has heavy religious, especially Christian, influences throughout the story is obvious. The crucifixes, Holy Wafers, funeral prayers for the dead, etc., all act as weapons against the vampire and his powers of evil. The life-giving blood the men selflessly give Lucy in order to try to save her is the opposite of the awful “baptism of blood” Count Dracula forces upon Mina in order to damn her. Dracula and the vampire wives are four, an unlucky number associated with death in Chinese culture, while our group of heroes number seven, a holy and/or lucky number in Western culture. Even some of the characters’ names are significant: “YAHWEH has given” (Jonathan), “will/desire to protect” (Wilhelmina), “light” (Lucy), “YAHWEH is gracious” (John), while Arthur and Abraham are important literary and biblical heroes, respectively. The group fights Dracula not just because of the suffering of the women they love, but because they feel a moral obligation to stop him. To be a vampire or to succumb to one means that one will be damned and cut off from salvation. Dracula is a deeply religious book, which seems strange since it is also a horror and fantasy book, but such contradictions are common in Christianity: one must die to live, Jesus is both man and God, etc. Van Helsing’s discouraged words after their protections for Lucy keep being thwarted echo 2 Corinthians 4:8-9 (“We are hard pressed on every side, but not crushed; perplexed, but not in despair; persecuted, but not abandoned; struck down, but not destroyed.”). Suffering and helplessness in the face of the enemy are common themes in Christianity, but since the protagonists trust in God and do all they can to do what’s right, they succeed.

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