Showing posts with label library books. Show all posts
Showing posts with label library books. Show all posts

Thursday, April 2, 2026

March reads: Trans Rights Readathon books

The Trans Rights Readathon is March 17-31, and I've tried to read at least a couple of books for it each year ever since I heard about it. There's a bingo with prompts you can follow, but I didn't really look at them. Here are my TRR books for this year. Still no cover images as Google/Blogger continues to be stupid and act like they can't add cover by url when they could just fine last month.

 

George/Melissa by Alex Gino - earlier middle grade, thrifted paperback. Own Voices (trans author)

George is a closeted trans girl who hates when people refer to her as a boy. Her fourth grade class has read and is putting on a play of Charlotte's Web, and George desperately wants to be Charlotte—but only girls can try out for the part. The way George is able to be true to herself and come out to the people closest to her as Melissa made me so happy! I used both her names in my review as the book refers to her as George for most of it; the book was originally titled George (as my copy is), but it has recently been re-released with the title Melissa. TW for transphobia (including from Melissa's mother, who eventually comes around), dysphoria, bullying, and sexism/gender roles stuff. ★★★★


Both Can Be True by Jules Machias - later middle grade, thrifted paperback. Own Voices (trans author)

Ash has recently had to switch middle schools after getting bullied for being genderqueer. They're in girl mode but feel nervous about their impending boy mode: will people understand and accept them? Is their dad right about how they should pick a side? Daniel is dealing with his parents' separation and criticism from his family for being an overly emotional boy who cries at everything. He impulsively steals a dog that was supposed to be put down at the vet's office where he volunteers and turns to his photography class classmate, Ash, for help taking care of the dog and finding it a home. The 13 year olds like-like each other, but as Ash drifts into boy mode, will Daniel still like them? I felt for and rooted for these kids, and was so happy for them as they learned to embrace the things other people criticized them for. I wish I could punch Ash's dad, though. TW for transphobia, bullying (including physical), dysphoria, terrible parents, sick animals, animal death mentions, and sexism/gender roles stuff. ★★★★

 

Julián Is a Mermaid by and illustrated by Jessica Love - picture book borrowed from my library

I was at work thinking about what to read next for the TRR, and remembered my work library has this picture book (I had previously used it in a book display for Latine Heritage Month). Julián is a small child (fiveish?) who goes with their abuela on the subway and sees some women dressed up as mermaids. They imagine themselves being underwater with colorful fish as a beautiful mermaid with long hair. At home, they grab things from around the house to dress up, and tell their abuela, "I am a mermaid!" She gives Julián a necklace for their costume and takes them to the ocean-themed parade, where they march among the other mermaids and sea creatures. This book has lovely, colorful art and Afrolatine rep. I was happy that Abuela accepted Julián, but found it hard to believe that a latina abuela wouldn't lecture their grandchild about making a mess in the house, especially ripping the fronds out of a fern and pulling a curtain down (maybe it happened off-page lol). Given the art, Julián seems like a trans girl to me, although no terminology is used; I've used they/them pronouns for this reason. I'm not sure if this book is OwnVoices, as there is little personal information in the author's bio. ★★★★

Monday, March 30, 2026

March reads: series books

Wow it's been so long since I wrote any book reviews lol. 

I was able to read these ebooks via the Libby app and my public library. No cover images as Blogger's insert image by url tool is refusing to work. DM me for trigger warnings. 


Tough Guy (Game Changer #3) by Rachel Reid

Ryan is the enforcer on his and Scott's (from Game Changer, book 1 of the series) hockey team, which means he has to fight and physically keep other hockey players away from the scorers. It is wild to me that these professional athletes are actually expected to straight-up punch each other?! Ryan has near-debilitating anxiety, especially on planes. He happens to run into Fabian, an out and proud, femme musician whose family Ryan lived with for a while as a teen for hockey reasons, and they reconnect. They're attracted to each other, and it turns out they both had crushes on the other when they were teens. They start dating, but Fabian hates hockey and the fact that Ryan has to fight for a living and wants him to quit. Ryan also has to deal with his homophobic teammates/hockey culture and injuries on top of the anxiety. I enjoyed this book, although it bothered me that Fabian was pressuring Ryan to quit his whole career just because he didn't like the idea of him fighting, which is basically his whole job. And they'd only been dating like a couple of weeks at this point!  ★★★★  🌶🌶🌶

 

The Man Who Died Twice (The Thursday Murder Club #2) by Richard Osman

I adored the first book in this series, and was chuffed to borrow this and the next book via Libby. Someone from Elizabeth's past shows up and asks her for help: he is accused of having stolen diamonds from a dangerous man who was holding them for the American mafia, and they're both out for his blood. Ibrahim was attacked and mugged (he's ok!! considering), and the Thursday Murder Club (and everyone who knows them) is plotting revenge. The TMC's favorite police duo are having trouble closing in on a local drug kingpin (queenpin?). Bodies start piling up, and where could those diamonds be? The way all of these plots weave together is excellent, and I couldn't put this down.  ★★★★ 

 

The Bullet That Missed (The Thursday Murder Club #3) by Richard Osman

Shockingly, the third book in this series was available right away in Libby. The Thursday Murder Club are focusing on a decade-old cold case: the murder of a young journalist who was about to blow a big corruption case wide open. Elizabeth is kidnapped and blackmailed by an dangerous man: she must kill the former head of the KGB, or Joyce will be killed. The TMC meets television personalities, acquire an adorable dog, dig up clues (well, the police do; the TMC are septuagenarians), and make new, dangerous friends. I also couldn't put this down, although reading both TMC books back to back means I keep confusing which plot points belong to which book.  ★★★★

 

Common Goal  (Game Changer #4) by Rachel Reid

Recently divorced Eric is the oldest player on his and Scott's hockey team, and is contemplating both retiring and dating men for the first time (he's bi). 25 year old Kyle works and is friends with Kip (you'll recall Kip and Scott got together in the first book, Game Changers; now they're engaged!); they meet at the gay bar where K&K work and are instantly attracted to each other, and Kyle offers Eric gay lessons 👀 It's supposed to be temporary and no strings attached, as they both consider the age gap between them to disqualify them from dating... but the heart wants what it wants. I enjoyed this, although the big issue is just solved by them deciding they don't care about the age gap since they're in love with each other (they're still 16 years apart, lol). It's like, what was the point of all the angst and drama, then? Also I hate Reid's choice of short K names. Kip is bad enough, but what 25 year old is named Kyle?  ★★★★  🌶🌶🌶

Friday, October 31, 2025

Halloween reads from my work library

When looking up books with "ghost stories" in the title in my work's library catalog, I stumbled on this book called Too Bright to See by Kyle Lukoff, which I had remembered one of my Bookstagram friends having read and mentioned on Instagram. It's a middle grade book that won or was nominated for a whole bunch of book awards, such as the Newbery and Stonewall Book Award, so I knew it would be good. The story is about a kid named Bug who lives in a haunted house (not the attraction; their house is literally haunted) and is struggling with trying to fit in with their girly-girl friends, the looming specter of middle school (it's the summer before they start; also, pun intended), and, most of all, the loss of their beloved uncle, who may or may not be haunting them... Poor Bug goes through so much in this book, but there's a happy ending, thankfully. I was genuinely freaked out by all the ghost stuff (I'm a wuss when it comes to horror) and was rooting for them the whole way. I highly recommend this book, as long as the reader can handle a little scary stuff. You don't have to be questioning your gender to enjoy this book or get anything out of it; Bug's feelings about not being a girl the right way and struggling to fit in with the boy-crazy girls in their friend group reminded me of my similar experiences at that age (ah, neurodivergence). ★★★★


I also decided to reread Carmilla by Joseph Sheridan Le Fanu (last read and reviewed here) during yesterday's evening ref desk shift. Carmilla predates Dracula, believe it or not. JSLF does a good job of setting the tone and building atmosphere in this Gothic story. [Spoilers for a book from 1872 I guess]  I had forgotten a lot of the details (all the young women in a like 30 mile radius kept dying off-screen, obviously because Carmilla was killing them) but remembered the gist (like how gay it was). What Carmilla does to get victims is basically a scam that she runs over and over again: her "mother" (possibly also a vampire, since she's described as pale and good-looking) gets some nobleman with a young adult/late teens daughter to agree to take her invalid daughter (Carmilla, under an anagram of her name such as Mircalla or Millarca) into their home while she, the mother, has to run off on an important/emergency trip that she can't bring her daughter on or tell them about. The nobleman and his daughter agree (him, because of chivalry and gentlemen being bound to assist ladies who ask for their help, and her, because she's lonely and wants a friend), and Carmilla/Mircalla/Millarca befriends/seduces the daughter and slowly drains her of life, while finishing off all the other young women in the surrounding area. She's gone by the time the daughter dies and people realize what has happened. Carmilla and her mother run this scam for Laura (the protagonist/narrator/victim) and her father by actually staging a carriage crash right in front of them! That's commitment, I guess, although vampires can only be killed in a specific way, so. Carmilla is killed in this book because the previous victim's father is a friend of Laura's father and goes and tells him about it, and they find Carmilla's grave and kill her before she can kill Laura. Too bad Carmilla can't lez out without killing the object of her affections, although probably for her the two pleasures are bound up together or something. The way the bloodthirsty vampire only preys on women when there's just as many men around (and let's be real, they're easier targets) suggests she gets pleasure from drinking blood and therefore only wants to experience that from/with women. My library's copy had a few scholarly essays about the book that I skimmed; they were about the usual "fear of the other" stuff that academics like to discuss about vampire books, but with an Irish focus as I guess the book was put together for Irish studies (I was confused about this until I realized that). I think the author of Carmilla was Irish. ★★★.5, not really spicy enough to earn a chili pepper

Tuesday, July 8, 2025

Book Review: The Honey Witch by Sydney J. Shields

Twenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who've tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch.

When Lottie Burke, a notoriously grumpy skeptic who doesn't believe in magic, shows up on her doorstep, Marigold can't resist the challenge to prove to her that magic is real. But soon, Marigold begins to care for Lottie in ways she never expected. And when darker magic awakens and threatens to destroy her home, she must fight for much more than her new home--at the risk of losing her magic and her heart.


I was able to read this ebook by borrowing it from my public library via Libby, and read it in the Kindle app since that's how Libby works. I'm always here for queer cozy romantasy, and was excited to read this. Overall, I'd describe this book as Chalice by Robin McKinley meets Bridgerton, but gayer. I'd recommend Chalice to people who enjoyed the honey magic and cottagecore stuff of this book, although its romance is heterosexual. 

The good: Shields writes beautifully most of the time, and I really enjoyed the Claudes' slice of life stuff, the cottagecore vibes, the lovely setting with the plants and bees, the magic, and the fact that it's gay. The yearning and chemistry between Marigold and Lottie is good, even if both are really slow to cotton on as to why they feel the way they do about the other girl. I liked the relationships between Marigold and her family (apart from her mother) and the friendships as well.

We're told this book is set in the 1830s, and the Isle of Innisfree is a real place (though uninhabited if Wikipedia is correct), but since the early Victorian norms are only vaguely held, and the fashion and hairstyles don't seem to add up (we're told Marigold's ballgown is huge and poofy, which would not have been the case in our 1830s, and that her hair was pulled back super tightly from her face, which ditto), then I don't see the point in giving the book a time setting if you're going to ignore the conventions and just go off vibes. This just confused me, especially since sometimes the language used is jarringly modern. People say "okay" and stuff. We're also told a lot, rather than being shown. Marigold has a lot of beliefs and sayings that she holds and says without telling us why or how she knows/believes them. 

I also got annoyed at the repetitiveness throughout the book. Marigold laments that she'll never be able to fall in love and have a partner because of the curse her family is under what felt like thousands of times, which, we get it. It's especially annoying because you just know what's going to happen. 

Stuff I want to complain about that is spoilery (highlight to read): the thing with tattoos that kind of goes nowhere. Like sure, having Lottie tattoo Mari with her clothes off is super sexual tension-y, but if there's such a huge taboo against tattoos then why would Mari get tattoos and let Lottie get into a situation where someone would see her tattoos and blackmail her for them? Marigold was able to resolve that by magically erasing the blackmailer's memory, but like. What was the point.
re: the anachronisms that were jarringly modern to me: I cannot believe that people in the Victorian era went around saying "good girl" to each other in bed. I just refuse to believe it, and it took me out of the book to read that. 
Also the whole "cursed to never fall in love" thing, but Marigold still falls in love with Lottie, and it's obvious that Lottie falls in love with her too. Although supposedly Lottie couldn't feel it until the curse was broken, but their connection felt like more than lust to me, so then what was the difference? My denseness and borderline-aromanticism rear their heads again. The girls screaming in pain for each other during the third-act breakup also seemed really dramatic to me. Per usual in these things, Marigold's reason for breaking up with Lottie made no sense. 
It was super obvious to me who Lottie was going to turn out to be: the evil ash witch's granddaughter. Not to be constantly comparing Chalice to The Honey Witch, but the romance in that book is also between a honey-magic-user and a fire-magic-user.  Once Marigold saw that something (obviously her good magic's evil counterpart) was turning the isle's magical guardians evil, the first thing she should have thought to do was check the magical honey wards around the island and see if any of them had been removed, but she didn't think to do that! Hello??? What a stupid way to lose against an evil enemy. I was really sad that the cottage and its library burned down, and that so many bees died. :( Overall the magical battle was too uneven and catastrophic for my liking. The first 3/4ths of the book is so cozy and sweet and slow-paced, so the violent heartbreaking climax is jarring to read after that, rather atonal. We're told (telling again) that Marigold is a powerful honey witch, yet she's no match for the immortal ash witch. It made no sense to me that the evil ash witch was destroyed by fire. Hello, she's an ash witch??? It would have made more sense to draw her out of the house then drown her in the river. But whatever, we get a happy ending for the girls.
Quick last complaint: Marigold's best friend and her little brother are soulmates, but they're 22? and 18 so I felt a bit uncomfy at the age gap. 

Overall, I guess I did mostly like this book despite everything I've complained about above, and would recommend it to anyone interested in sapphic cottagecore cozy romantasy with spice and dramatic stakes. Check it out from the library though. 

Score: ★★★.5 out of 5 stars (Blogger, return to me the half star special character! 😠)
Spice score: 🌶
🌶/🌶 
Read in: June 11
From: my public library - borrowed via Libby, read in Kindle app

Spoilers past this point

Tropes: forbidden romance, star-crossed lovers, "we can never be together" stuff, grumpy x sunshine, character who can never fall in love does so anyway, character with a family x orphan, only one bed, third act breakup, a character has mysterious origins that turn out to be very important to the plot, characters don't recognize that they're into each other leading to this song from Wicked, enemies to lovers in a way, that Romeo & Juliet thing where two families are historical enemies but the kids from those families fall in love

Representation: bisexual/pansexual fmc and lesbian (I think) fmc in sapphic relationship, side mlm/achillean couple (one of which is also bi I think), queernorm society, I don't remember if everyone is white (British isles) or if it's also a race-blind society

Trigger warnings: murder, death, a child is burned severely all over her body (past), gore, magical degloving injury leading to lots of blood, violence, kidnapping, a character is imprisoned and starved, manipulation, memory loss (both magical and trauma-related), orphaned character with trauma, bees death, controlling parent who withholds information (out of fear rather than just sucking)