Malinda Lo's books have at least tangentially been on my radar for a while because she writes a lot of fairytale retellings, and those are my favorites. I've never read anything by her, though, as I don't read a lot of YA these days (well, much less than I used to in my twenties). I got this one from Book Outlet, unsurprisingly. Book summary:
In the wake of her father's death, Ash is left at the mercy of her cruel
stepmother. Consumed with grief, her only joy comes by the light of the
dying hearth fire, rereading the fairy tales her mother once told her.
In her dreams, someday the fairies will steal her away. When she meets
the dark and dangerous fairy Sidhean, she believes that her wish may be
granted.
The day that Ash meets Kaisa, the King's Huntress, her
heart begins to change. Instead of chasing fairies, Ash learns to hunt
with Kaisa. Their friendship, as delicate as a new bloom, reawakens
Ash's capacity for love—and her desire to live. But Sidhean has already
claimed Ash for his own, and she must make a choice between fairy tale
dreams and true love.
Entrancing and empowering, Ash
beautifully unfolds the connections between life and love, and solitude
and death, where transformation can come from even the deepest grief.
Everyone is familiar with the sadness of the Cinderella story: Cinderella's father is dead, or isn't around to defend/protect her from her wicked stepmother and stepsisters; said steps treat her cruelly and force her to be a servant; they don't let her go to the ball. But Ash is soaked with grief from beginning (we open on Ash's mother's funeral) to almost the end. Grief and a desire to escape is the constant throughout the story. An explanation is given for the stepmother forcing Ash to be a servant: Ash's father saddled the family with his debt when he died. The numbness from grief and depression explains why she stays and doesn't fight back. Ash does feel grief about her father's death, but it's more about losing the last bit of childhood safety and security that she had. If her grief for her father's death is a lake, her grief for her mother's death is the ocean.
The plot with Sidhean is interesting. You may have gathered from the name that the country this book is set in is based heavily on, or is a version of, medieval/renaissance Ireland (Ash's actual name is Aisling, pronounced ASH-ling). The fairies of this book and its stories are the dangerous, alluring fairies of Irish (and other) folklore. They spirit unsuspecting or enthralled humans away, steal babies and leave changelings, time in fairyland is different than time in the human world, and they are said to be found in the deep forest. Ash returns to the forest again and again for this reason. Her life is so miserable that she'd prefer to be taken by the fairies, and wonders if they took her mother. Ash's dynamic with Sidhean, who of course is gorgeous, alluring, and kind of creepy in his unhumaness, is very standard YA/sometimes adult fantasy romance. She is attracted to him, literally; she is drawn to him like a pin to a magnet. She continually asks him when he will take her away. She is SPOILER the one human Sidhean has ever fallen in love with, due to a curse. That Ash ends up with the huntress Kaisa instead is truly the funniest form of straightbating I've ever seen. I knew it was going to happen, but the way their dynamic is written made me question it, as the straight pairing really feels inevitable. END SPOILER
The dynamic with Kaisa is interesting. She's the King's Huntress, which is such a kickass title and job to have. Their relationship is a really slow-burn one, in contrast to the instant attraction to Sidhean. At first they just seem like friends. While Sidhean represents the deep, dangerous, and dark part of the forest, Kaisa is the normal, light-filled, nature part of the forest. Ash has been cooped up in the house and walked constantly in the dark of the forest, hoping to be taken, but Kaisa brings light into her life, offering her kindness and friendship to Ash. Kaisa teaches Ash to ride a horse. Ash goes to the royal hunt and the ball to see her. It may seem to most readers that less time and effort is spent on developing or depicting the relationship between Ash and Kaisa, that it lacks the spark that Ash and Sidhean have, but it's important that love is shown as not the flash of attraction, but as a quiet, steady thing you build together over time.
I loved the little flashes of queerness in this book. It is of course very queer to feel as if one doesn't belong, to long for escape, and to be hated or abandoned by one's family, sadly. Read this article for a queer mini-analysis of Cinderella. The first time Ash feels seen after her parents' deaths and enslavement is when the huntress before Kaisa visits the manor Ash's stepfamily are guests at and smiles at and talks to her, telling her a fairytale and maybe winks at her? Ash feels alive and is a bit disappointed when the huntress leaves without looking at her again. Kaisa tells her a fairytale about a huntress and fairy queen falling in love (!) to gauge if Ash is queer. When at her stepmother's relative's house, the other servants convince her to sneak off with them to a bonfire costume party and give her a (boy's) page uniform to wear. Ash is struck at how transformed she is in male clothing, and she likes what she sees in the mirror. At the bonfire, she sees two women laughing and kissing. There is no homophobia in this universe, although heteronormativity exists. The prince still needs to marry a princess, and when Ash sees him, she wonders why her stepsisters would ever find him handsome (lol). I think today's teens would get too impatient with the lack of overt queerness (besides KAisha), as this book was published ten years ago. This was one of the first mainstream lesbian YA books, and one of the first with a happy ending. There is something healing about reading a lesbian/queer fairytale retelling, as fairytales are told to children from a young age, and are part of the indoctrination into heteronormativity.
My only quibble is that there is no comeuppance for the stepmother and bitchy stepsister (in keeping with other adaptations, one stepsister is nice-ish). I didn't want birds to peck their eyes out, but for Ash to stand up to them and tell them exactly how she felt about them treating her like that would have been nice. She just leaves without saying anything. Anyway, I really liked this book and am glad I bought and read it. Lo's writing is just lovely and brings to mind Robin McKinley and Patricia M. Wrede.
Score: 4 out of 5 stars
Read in: June 7-8
From: Book Outlet
Status: keep
Cover notes: A typical example of the YA fairytale retelling from the 2000s. The girl (who appears to be Asian, like Lo, even though Ash/Aisling is probably Irish) is posed in a way that recalls Ash lying down on her mother's grave. She was wearing clothes over the corset & petticoats, though.
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