Book Review: Murder By Memory by Olivia Waite

A mind is a terrible thing to erase...

Welcome to the HMS Fairweather, Her Majesty's most luxurious interstellar passenger liner! Room and board are included, new bodies are graciously provided upon request, and should you desire a rest between lifetimes, your mind shall be most carefully preserved in glass in the Library, shielded from every danger.

Near the topmost deck of an interstellar generation ship, Dorothy Gentleman wakes up in a body that isn’t hers—just as someone else is found murdered. As one of the ship’s detectives, Dorothy usually delights in unraveling the schemes on board the Fairweather, but when she finds that someone is not only killing bodies but purposefully deleting minds from the Library, she realizes something even more sinister is afoot.

Dorothy suspects her misfortune is partly the fault of her feckless nephew Ruthie who, despite his brilliance as a programmer, leaves chaos in his cheerful wake. Or perhaps the sultry yarn store proprietor—and ex-girlfriend of the [person whose] body Dorothy is currently inhabiting—knows more than she’s letting on. Whatever it is, Dorothy intends to solve this case. Because someone has done the impossible and found a way to make murder on the Fairweather a very permanent state indeed. A mastermind may be at work—and if so, they’ve had three hundred years to perfect their schemes...

I discovered this book on Libby while looking through their Pride Month featured books. It sounded fascinating, so I joined the holds list and read it when it became available. 

Listen: this book is so freaking good! You already know I love mysteries, especially cozy and/or classic British mysteries, and this book is just that, only with a futuristic sci-fi setting. We're on a generation ship going from Earth to some far-off distant planet that humanity will live on several hundred years from now. They've figured out how to store people's consciousnesses or minds in "books", like documents in a hard drive, and you can just get a new body when your current one gets old and is no longer up to living. Consequently, everyone on the generation ship is functionally immortal. The generation ship is huge and high-tech, with lots of residential neighborhoods and businesses that people can run as they are interested; capitalism is no more, although there is mention of "posh" apartment complexes, so it sounds like there's still a little income inequality and class differences for some reason. The "Her Majesty's ship" thing makes me think this ship is English, which would I guess provide a reason for that, plus the whole "we're going to find a new planet to live on" which is colonization in a sci-fi way.

I was a bit confused at first, as the book just throws you into what is happening (Dorothy waking up in someone else's body), but that's actually perfect because Dorothy is confused as to what has happened to her, and it makes you feel her confusion. Dorothy has been offline for many years, her consciousness preserved in her "book". Unbeknownst to Dorothy, her nephew Ruthie (very Bertie Wooster-ish, if Bertie was also a software & mechanical engineering genius) wrote a program into the ship's computer that any ship's detective (which Dorothy is) whose book is destroyed gets their consciousness immediately put into the nearest available body. The thing is? Somebody was murdered right before this happened, and the murderer may have been the person whose body Dorothy is in... The chatty ship's computer is offline due to an electrical storm, so Dorothy has to figure out what's going on without any help or her detective status to get her places. Dorothy herself is one of those very practical British aunts who solve mysteries and knits, and she's queer! She's attracted to her accidental host's lovely ex-girlfriend (a fellow knitter who owns a yarn shop), but the ex-girlfriend hates her (ex's) guts and may have had something to do with the murder...

I'm going to stop there as I don't want to spoil it for you, but I really enjoyed this book and wished it was longer! The worldbuilding was very interesting, and I thought it was fascinating how they drank beverages that let them experience memories (a summer rainstorm, for example). I naturally loved the Library, where all the consciousness books are kept. There were lots of little mentions/analyses of human nature, and we meet interesting characters I hope we get to know better in future books (this is the first of a series). I cannot wait for future books!

Score: ★★★★.5 out of 5 stars (half star off for being too short lol)
Spice score: 1 instance of sexual attraction but otherwise zero
Read in: June 20
From: my public library - borrowed via Libby, read in the Kindle app

Genres/classification: mystery, science fiction, futuristic sci-fi, classic British mystery a la Agatha Christie (especially with the aunt element)

Representation: sapphic/wlw (possibly lesbian) main character, several sapphic secondary characters, several canon sapphic couples, gay couple, 1 queer male character of color (Asian, I think), 1 Black woman minor character. As this is a near-utopian future there is no homophobia or transphobia or racism

Trigger warnings: murder, drowning death, toxic relationship where one partner is constantly lying to and manipulating the other (possibly cheating as well), putting someone's mind/consciousness into someone else's body without the consent of either party, financial fraud, distrust of police mention

Book Review: The Honey Witch by Sydney J. Shields

Twenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who've tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch.

When Lottie Burke, a notoriously grumpy skeptic who doesn't believe in magic, shows up on her doorstep, Marigold can't resist the challenge to prove to her that magic is real. But soon, Marigold begins to care for Lottie in ways she never expected. And when darker magic awakens and threatens to destroy her home, she must fight for much more than her new home--at the risk of losing her magic and her heart.

I was able to read this ebook by borrowing it from my public library via Libby, and read it in the Kindle app since that's how Libby works. I'm always here for queer cozy romantasy, and was excited to read this. Overall, I'd describe this book as Chalice by Robin McKinley meets Bridgerton, but gayer. I'd recommend Chalice to people who enjoyed the honey magic and cottagecore stuff of this book, although its romance is heterosexual. 

The good: Shields writes beautifully most of the time, and I really enjoyed the Claudes' slice of life stuff, the cottagecore vibes, the lovely setting with the plants and bees, the magic, and the fact that it's gay. The yearning and chemistry between Marigold and Lottie is good, even if both are really slow to cotton on as to why they feel the way they do about the other girl. I liked the relationships between Marigold and her family (apart from her mother) and the friendships as well.

We're told this book is set in the 1830s, and the Isle of Innisfree is a real place (though uninhabited if Wikipedia is correct), but since the early Victorian norms are only vaguely held, and the fashion and hairstyles don't seem to add up (we're told Marigold's ballgown is huge and poofy, which would not have been the case in our 1830s, and that her hair was pulled back super tightly from her face, which ditto), then I don't see the point in giving the book a time setting if you're going to ignore the conventions and just go off vibes. This just confused me, especially since sometimes the language used is jarringly modern. People say "okay" and stuff. We're also told a lot, rather than being shown. Marigold has a lot of beliefs and sayings that she holds and says without telling us why or how she knows/believes them. 

I also got annoyed at the repetitiveness throughout the book. Marigold laments that she'll never be able to fall in love and have a partner because of the curse her family is under what felt like thousands of times, which, we get it. It's especially annoying because you just know what's going to happen. 

Stuff I want to complain about that is spoilery (highlight to read): the thing with tattoos that kind of goes nowhere. Like sure, having Lottie tattoo Mari with her clothes off is super sexual tension-y, but if there's such a huge taboo against tattoos then why would Mari get tattoos and let Lottie get into a situation where someone would see her tattoos and blackmail her for them? Marigold was able to resolve that by magically erasing the blackmailer's memory, but like. What was the point.

re: the anachronisms that were jarringly modern to me: I cannot believe that people in the Victorian era went around saying "good girl" to each other in bed. I just refuse to believe it, and it took me out of the book to read that. 

Also the whole "cursed to never fall in love" thing, but Marigold still falls in love with Lottie, and it's obvious that Lottie falls in love with her too. Although supposedly Lottie couldn't feel it until the curse was broken, but their connection felt like more than lust to me, so then what was the difference? My denseness and borderline-aromanticism rear their heads again. The girls screaming in pain for each other during the third-act breakup also seemed really dramatic to me. Per usual in these things, Marigold's reason for breaking up with Lottie made no sense. 

It was super obvious to me who Lottie was going to turn out to be: the evil ash witch's granddaughter. Not to be constantly comparing Chalice to The Honey Witch, but the romance in that book is also between a honey-magic-user and a fire-magic-user.  Once Marigold saw that something (obviously her good magic's evil counterpart) was turning the isle's magical guardians evil, the first thing she should have thought to do was check the magical honey wards around the island and see if any of them had been removed, but she didn't think to do that! Hello??? What a stupid way to lose against an evil enemy. I was really sad that the cottage and its library burned down, and that so many bees died. :( Overall the magical battle was too uneven and catastrophic for my liking. The first 3/4ths of the book is so cozy and sweet and slow-paced, so the violent heartbreaking climax is jarring to read after that, rather atonal. We're told (telling again) that Marigold is a powerful honey witch, yet she's no match for the immortal ash witch. It made no sense to me that the evil ash witch was destroyed by fire. Hello, she's an ash witch??? It would have made more sense to draw her out of the house then drown her in the river. But whatever, we get a happy ending for the girls.

Quick last complaint: Marigold's best friend and her little brother are soulmates, but they're 22? and 18 so I felt a bit uncomfy at the age gap. 

Overall, I guess I did mostly like this book despite everything I've complained about above, and would recommend it to anyone interested in sapphic cottagecore cozy romantasy with spice and dramatic stakes. Check it out from the library though. 

Score: ★★★.5 out of 5 stars (Blogger, return to me the half star special character! 😠)
Spice score: 🌶🌶/🌶 
Read in: June 11
From: my public library - borrowed via Libby, read in Kindle app

Spoilers past this point

Tropes: forbidden romance, star-crossed lovers, "we can never be together" stuff, grumpy x sunshine, character who can never fall in love does so anyway, character with a family x orphan, only one bed, third act breakup, a character has mysterious origins that turn out to be very important to the plot, characters don't recognize that they're into each other leading to this song from Wicked, enemies to lovers in a way, that Romeo & Juliet thing where their families are historical enemies but the kids from those families fall in love

Representation: bisexual/pansexual fmc and lesbian (I think) fmc in sapphic relationship, side mlm/achillean couple (one of which is also bi I think), queernorm society, I don't remember if everyone is white (British isles) or if it's also a race-blind society

Trigger warnings: murder, death, a child is burned severely all over her body (past), gore, magical degloving injury leading to lots of blood, violence, kidnapping, a character is imprisoned and starved, manipulation, memory loss (both magical and trauma-related), orphaned character with trauma, bees death, controlling parent who withholds information (out of fear rather than just sucking)

How I organize my own books

my library wall. It's been reorganized a bit since then

It's been a really long time since I've written about my own library and the way I organize my books. (I feel like I must have written about my books and the way I organize them more recently than that, but I can't find any other posts on this blog.) I currently have 3 full-sized bookcases, 1 small bookcase, one 8-cube organizer, one spine bookshelf, and a couple of random book stacks scattered around my house. For the most part, my books are organized by genre, with some organized by author within the genre (but not always). For instance, I have my Alice, Peter Pan, and Milne books next to each other because they're all childhood favorites. The fantasy authors are grouped together. Each shelf has knickknacks that are the same theme as the books (i.e. Jane Austen stuff with my JA books), with my rainbow bookshelves having non-themed (but mostly bookish) knickknacks in rainbow order (red knickknacks in front of the red books, etc.). 

My three matching tall bookcases hold most of my library. My dad bought them for my siblings and me when we were kids; I had one, my sister had one, and my brothers shared one. Now they're mine. I have them together to form a library wall, and I love it. It's a great place to take pictures for my bookstagram. I know shelving one's books by (spine) color is controversial, but I love the way it looks so much that I don't care. Obviously I could have more than one (3/5th) rainbow bookcase, but I prefer keeping books in my genre and author categories more; it would kill me to split up my C.S. Lewis books, for instance. The books are organized as follows:

Left bookcase:

• top shelf: C.S. Lewis books (by and about) and both my The Hobbit copies
• 2nd shelf: Narnia books. The TCON series I've collected plus books about the Narnia books and movies
• 3rd shelf: Jane Austen books (by and about). Some of the bigger/solid color JA retellings. 
• 4th shelf: unicorn books, George Macdonald books, random fantasy books, Terry Pratchett books, my sole remaining Ga*man book (my 2 Good Omens copies are the bridge).  
• bottom shelf: various large books, a stack of bookish fiction books whose spines look like vintage books, 2 overlapping stacks of fiction and nonfiction books (mostly fiction). 

Center bookcase:

• 1st-3rd shelves: books in rainbow order (ROYGABPP each shelf)
• 4th shelf: Fairytales and fantasy books, 1 book stack
• bottom shelf: picture books, The Wizard of Oz books, thick books, memoirs & biographies, 1 book stack

Right bookcase: 

• top shelf: library and bookish books in rainbow order
• 2nd shelf: more bookish and Jane Austen books, roughly in rainbow order as their spine colors allow (most have multicolored spines)
• 3rd shelf: Alice in Wonderland books, Peter Pan books, A.A. Milne books, Eoin Colfer books
• 4th shelf: comics (Calvin & Hobbes, Garfield, The Far Side, Hark! A Vagrant, Introvert Doodles), Sylvia Plath, more bookish/literary books, a random fiction book stack
• bottom shelf: large books (including Wonder Woman books), The Hitchhiker's Guide to the Galaxy books, Susanna Clarke books, stack of linguistics/grammar/punctuation books

I recently moved my small white bookcase to be closer to my library wall, and consequently reorganized the books. 

• top shelf: overflow fiction, Kate DiCamillo books, introvert books, themed/guided journals
• middle shelf: Hispanic & Latine books, mostly fiction with some nonfiction
• bottom shelf: Bibles, Christian & SDA books

My 8-cube organizer/bookcase pulls triple duty as it holds books and media (DVDs plus some of my remaining CDs), and acts as my television stand. As each cube is a foot wide, I have DVDs and books in one side, and books on the other. This means the books in this organizer are generally on the smaller size so I can fit both back to back. 

• Inside top row: DVDs (movies & TV sets), my DVD player, CDs
• Inside bottom row:
• Leftmost cube: P.G. Wodehouse books, Dorothy L. Sayers mysteries
• 2nd from left cube: Sherlock Holmes books, 2 different unrelated book duos
• 2nd from right cube: L.M. Montgomery books (Anne of Green Gables books and others)
• Rightmost cube: E. Nesbit books, Edward Eager magic books, Mrs. Piggle-Wiggle books, another children's book duo
• Outside top row:
• Leftmost cube: Patricia A. McKillip books, Patricia C. Wrede books, The Princess Bride paperback copies (my deluxe copy is with the other big books in the right tall bookcase)
• 2nd from right cube: animal books, including Redwall and Watership Down 
• 2nd from left cube: small poetry and bookish books
• Rightmost cube: Jane Austen books (multicolored spines)
• Outside bottom row:
• Rightmost cube: Ursula K. LeGuin, Tone Almhell, Rosamund Hedge, Robin McKinley books
• 2nd from right cube: Diana Wynne Jones, Madeleine L’Engle, The Hazel Wood books
• 2nd from left cube: Brontës and Brontë-inspired books, random other book/s
• Leftmost cube: dragon books, random book duo

My black metal spine bookshelf holds LGBTQA+ books, mostly in rainbow order except for the top shelf (all ace books in ace flag colors order) and the multicolored/black/white book spines books towards the bottom. 

I have most of my craft books (I may have one or two upstairs) in the bottom shelf of my corner shelves, which hold knickknacks. (Here's what my corner shelves look like. Holy shit that price?!?!?! I bought mine for like $10 at a thrift store lmao.) My teeny tiny mini books are in a tiny white plastic bookshelf on the top shelf. I may do a post on them later.

Book piles with no home: I have a stack of recently purchased picture books on one of my side tables that I keep meaning to read. I also have a pile of random books (mostly historical mysteries) I bought from my library's book sale last year that I've never cataloged or shelved; it's kind of under one of my chairs in the living area. I have a small stack of books I mean to give away or sell. 

I keep my Christmas books in the same place I keep my holiday decorations. My cookbooks (that I basically never use) live in the kitchen.

I know the 'in' thing to do nowadays is to just have a few spaced-out sections and stacks of books staggered on each shelf, accented with chic, modern objects d'art. To me this is a waste of shelf space; fill those puppies up! Artful shelves are for people who aren't book hoarders.

Book Review: Fire Spells Between Friends by Sarah Wallace & S.O. Callahan

London, 1813—fae and humans alike are abuzz whenever Torquil's Tribune drops a juicy new tidbit. At the center of the gossip is handsome fae, Emrys Wrenwhistle, heir to his family's fortune. As speculation over his prospects grows, the search for a suitable spouse begins.

The trouble is, Emrys can't find anyone who measures up to the person he's been secretly seeing for years: the Tribune's witty society writer.

Torquil Pimpernel-Smith is accustomed to using the force of gossip to pull the strings of social influence. So when they are offered a position as the Council's first fae-human member, they readily accept.

However, their first project plunges Torquil into upper class circles rife with snobbery. Facing prejudice head-on is hard enough, without having to hide their true feelings for the eligible Emrys.

As the line of suitors starts to form, the Wrenwhistle family is intent on making a worthy match. Emrys and Torquil's passion burns perfectly in private, but navigating society together will determine if their love is a blaze—or in danger of being extinguished.

I adore Sarah Wallace's Meddle & Mend series and also really liked the first book in this series (despite my criticisms lol), so I snapped this ebook up when it went on sale. (I reread Breeze Spells and Bridegrooms first before reading this one, of course.) This book takes place right after the events of BS&Bg, so you do need to read it first as Roger & Wyn and their rubrics feature heavily in this book (yay!). Emrys is Wyn's older brother, and Torquil is the gossip columnist/editor who, in book 1, was like:

you know what would be hilarious? and posts that [Wyn & Roger] are engaged. They of course visit the editor to demand they retract the engagement announcement, but [Torquil is] like "no + deal with it + you two are cute together :)"

Poor Torquil, who is nonbinary and uses they/them pronouns, faces so much racism (speciesism?) because they're half fae, half human. They and their parents were shunned from society and disowned by Torquil's fae mother's rich and influential family; both the human and fae schools refused to accept them or test their magic, so they're basically without status or prospects in this magic-based society. My first paragraph in my BS&Bg review talks about this world a bit more and includes my thoughts. Torquil is poor and used to being alone and looked down on/discriminated against. 

By contrast, Emrys is the heir to his rich, influential elf family, one of the most eligible gentlemen in society, and wants for nothing... except that he can't put off his enterprising mama who will accept nothing but the best (aka rich and from a good family) spouse for her son, and keeps setting him up and making him go on dates even though he's less than enthusiastic. I was sort of surprised at Emrys having grudgingly-yet-long-accepted that his marriage would be arranged for him, instead of hoping to marry for love (I guess that's pretty common in this era). The way Torquil and Emrys meet (plus a short backstory for Torquil) is detailed in a short story (free if you sign up for the authors' email newsletters); basically they've been hooking up for years in a no-strings-attached to friends-with-benefits situationship. They both know they're from different social classes and financial situations, and that there's no way they could marry. 

Torquil is asked to join the Fae-Human Relations Council as its first fae-human member, and accepts in order to hopefully better things for themself and other fae-humans. However, they have to deal with prejudice from several council members and society folk, as being on the Council gets them invited to society events (Wyn's grandma gets them  the invites and makes them join society, much like she meddles in Wyn and Roger's lives). Roger and Wyn's new human and fae magic (respectively)-measuring rubrics are accepted, and it is decided a new rubric is needed for children like Torquil who have one fae parent and one human parent. Consequently, Torquil, Wyn, and Roger are entrusted to test out Torquil's magic and figure out a rubric that is both similar to the fae & human rubrics and that will work for the magic abilities of human-fae people. 

There's that classic SW "a character is cared for/given gifts against their will" thing, and that thing from book 1 about a newlyweds' wedding spell showing how much they're in love/compatible is expanded on in an ~interesting~ way. Much of this book takes place during December/Yule/Generic Winter Holiday That Is Definitely Not Christmas (Except It Totally Is) and would be perfect for a cozy winter/winter holidays read. I think I'll reread this in December for that reason. 

Some spoiler-y thoughts I want to talk about (highlight to read): I thought it was sad how Torquil's parents had zero qualms about buying Toquil the press and bouncing. They left them alone! :( I was so happy for Torquil when they got letters from other fae-humans like them, showing how they weren't the only one! I was shocked by that bombshell that Torquil's grandma actually didn't want to disown her daughter for marrying a working-class human but had to pretend to go along with it and wait until her husband/Torquil's grandfather died to publicly accept them as their family! Poor Torquil grew up thinking their grandmother hated them and wanted nothing to do with them.  I think it was wrong of Torquil's mom to keep that from her child; at least, she should have told them before she and Torquil's dad left for the continent. But at least they're not alone anymore, and being part of the rich and influential Pimpernel family means they can marry Emrys after all! We love to see an alone/unloved character end up with so much love and loved ones. However, I did find it kind of ridiculous that even after Torquil is publicly part of the Pimpernel family again, they and Emrys are still like "we can never be together" because of Emrys' social standing-obsessed mother. Hello? Torquil is a catch now that they're a Pimpernel officially. Get it together, kids. I'm a bit sad that Torquil had to give up their gossip newspaper, but at least it's in good hands. 

Overall, I really enjoyed this book and rooted for the two romantic leads to end up together. I'm looking forward to reading the next book in this series!

Score: ★★★★.5 out of 5 stars (Blogger, return to me the half star special character! 😠)
Spice score: 🌶🌶 
Read in: May 14
From: B&N Nook

Everything from this point on is spoilery 

Tropes: forbidden romance, "society would never accept our love", rich x poor, outcast x rich/famous/society darling etc., proud poor character who won't accept gifts/money from their rich lover, catching feelings during what is supposed to be a sex-only arrangement, "this perfect-on-paper suitor leaves me cold but I can't stop thinking about my forbidden lover", "I'll hide how I'm in love with them because we can never marry, never", rags to riches, long-lost/previously unknown rich family/family member who shows up and makes the character part of their family and fixes their social/financial situation, hurt/comfort (sick/comfort?), that thing where one character collapses and their "secret" lover freaks out making it super obvious he's in love with them, secret couple think they're hiding their secret relationship/feelings successfully but their loved ones suspect something/become aware/totally know

Representation: nonbinary character who uses they/them pronouns, bisexual/pansexual characters including both main characters, I think Roger and his family are Hispanic/Latinx, probably some other characters of color, queernorm, non-sexist & racism-free society; poor character

Trigger warnings: racism/speciesism, including microaggressions and bigoted language;  classism, poverty, a man in his mid-thirties briefly courts an 18-year-old girl who is into him (he's not into her. Several people point out their age gap is gross and he breaks up with her), hunger/food insecurity. (the authors give trigger warnings at the beginning of the book)

Narnia bloggin': more cover art for The Chronicles of Narnia books

 Previously: the different Chronicles of Narnia covers I collect

There were five blog posts between the first Narnia Bloggin' post and the most recent/second post (linked above), so since five more blog posts have been published since that one, it's time for a new Narnia Bloggin' post. Previously I shared about how I collect various cover art versions of The Chronicles of Narnia (TCON), and whether or not I have the full run of each series. I decided to post about other cover art TCON versions and why I don't collect them as well. The main reasons are: 1) I only have so much shelf space, and 2) I am not made of money.

 

Original covers with art by Pauline Baynes - you can see what these look like on this website. I like these well enough, but not enough to purchase them. If I were to find a set of these in good condition for a good price, I might buy them. But that is not very likely to happen. Obviously I am not going to buy actual first editions! I once held a first edition of (I think) The Lion, the Witch, and the Wardrobe (LWW) in my hands once; it was in a rare books store in a giant mall in Las Vegas (possibly Bauman Rare Books). It was so cool. As far as I know reprints of the TCON books with these original covers have not been made, although of course other covers with Pauline Baynes' art exist; I own the full-color editions. 

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image source

PB art circles TCON covers -  The illustrations within each circle are, of course, taken from Pauline Baynes' art. The only one I don't immediately recognize is the one for Prince Caspian (PC); this Reepicheep must have been drawn for one of the many other PB covers and Narnia books she drew for. It does look like her style.

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image source. pay no attention to the Narnia trivia book

TCON covers by David Wiesner - I actually like these a lot, but not enough to buy them (they feel too... cartoony?). Probably my favorite cover of these is The Magician's Nephew (TMN); having having us be able to see a faint reflection of Digory in the silver apple he's holding, plus Jadis hiding behind the tree, is so cool! I think Wiesner's The Voyage of the Dawn Treader (VotDT) is the only copy I can remember seeing that does not have the ship on the cover. 

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image source

TCON covers by Chris Van Allsburg - You may remember Chris Van Allsburg from his iconic books such as Jumanji, Zathura, and The Polar Express. His art is so soft yet detailed and interesting; much less dreamy than it initially looks. I like these covers, but again, not enough to buy them. I like that he chose to show the scene where Doctor Cornelius is giving Caspian an astronomy lesson in the high tower for PC's cover; that scene happens towards the beginning of the book, and most covers just show people or boys fighting with swords etc. His VotDT cover is from nearly the end of the book; very beautiful. Having Jewel the unicorn be shown with blood dripping from his horn for The Last Battle (TLB) is a choice and I respect it. 

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In googling, I just found out about this beautiful collector's edition set from Easton Press. Different colored leather bindings, with one Pauline Baynes illustration from each book done in gold outlines. That price tho! 😭

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Folio Society TCON sets - Speaking of exorbitant prices, apparently at some point in the nineties the Folio Society made a TCON set in this gorgeous, richly detailed gilt style (possible second similar style). I'm sooooo tempted to get one of the under $300 set... but that would be so financially irresponsible... I'll reassess when I'm 40.

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Back in the 2000s, Barnes & Noble made a beautiful leatherbound collector's edition TCON omnibus. I didn't buy it because the cover art was LWW themed and I don't like that for TCON omnibuses. I wish I had; it's not available anymore and the resale prices are ridiculous. :'(

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TCON covers by Steven Lavis - Also from googling, I stumbled on this cover set by Steven Lavis from 1980, possibly from the UK or Canada and almost certainly not published in the US. I like them, especially the additional details at the top of the books above the titles (the wardrobe detail for LWW, etc.). Here's more pictures of the covers as well as the set's slipcover.

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TCON covers by Julek Heller - There appear to be two versions of Heller's cover art: this TCON set with no border, and this TCON set that has cover art inside frames with a lion & unicorn plus other characters/creatures. For some reason those two TCON sets have different covers for PC and TSC. IMO it doesn't make sense to have the Black Knight on the cover of TSC because he barely comes into the story. The LWW cover is a bit spoilery, and the TMN cover is inaccurate because I believe only Digory sees that giant beautiful bird (the kids don't see it while on pegasusback).

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Ok, this is different: here's another probably-foreign TCON set, but this set is in three volumes instead of seven or one. The first volume has TMN, LWW, and The Horse and His Boy (HaHB); the second volume has PC and VotDT, and the third volume has TSC and TLB. That's so random; why would they do it like that? The cover art is pretty, even if the children all seem to have the same face and hair.

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I found some pretty medieval-inspired covers that I like a lot, via the C.S. Lewis editions website. To see the other TCON books' covers in that series, click on each book in the main TCON editions webpage. I would def buy these if I saw them at the thrift store etc. in good condition. I love medieval/renaissance-inspired art.

~

Warwick International Publishing House TCON editions - You can see them all here along with their other offerings since I'm too lazy to link to them individually. They look very pretty, and all have that wardrobe frame thing going like the Dillon's covers. Hang on, is the girl (probably Lucy) on the cover of LWW pointing a glowing magic wand at Aslan???? WTF?? Why is he a giant compared to her? If that were the White Witch (which it does not appear to be), Aslan should definitely not be so huge compared to her. PC just shows the lad; VotDT shows Aslan all big over the ship for some reason; HaHB shows a boy on a horse like usual but unusually he's wearing a royal military uniform, not unlike something an actual prince would wear?? That's a spoiler, wtf. TSC's cover is also unusual; I'm guessing that's supposed to be Rilian sitting on the silver chair with the snake around the top? He looks too young and too asleep; otherwise, good/interesting cover. TMN shows Aslan standing behind Digory, who is not dressed like he should be (whither his Eton collar?). It's pretty but meh. TLB's cover is almost identical to VotDT's, only it's Aslan's head over Cair Paravel (I'm guessing). It's pretty but we basically never go to Cair Paravel in TLB.

~

more TCON covers by Cliff Neilsen - Apparently Cliff Neilsen, who made one of my favorite TCON cover series, also made another set of digital cover illustrations for the TCON series. TBH I had completely forgotten about them until I started googling the covers. All of the covers are too dark and green, in my opinion. The LWW cover is the worst; it's obviously supposed to be Aslan, but he looks like a taxidermied stuffed lion that has gone evil (the red shading doesn't help). The PC cover is fine, if a bit boring; it's just a sword against a tree. VotDT's is a dark, danky silhouette of the Dawn Treader, which I don't really like. TSC's cover just shows a snake, which is boring. HaHB shows 2 crowns, which I think is a spoiler; it's the only HaHB cover I've seen to not show a horse or a scene from the book. TMN has a dark green apple (which is wrong; the apple was silver). TLB is the only other reddish cover and shows a unicorn as well. Overall I do not like this series of cover art at all; the only thing I do like is that these all have C.S. Lewis' signature on them, which I think is interesting. 

I JUST learned that Cliff Neilsen just redid his TCON digital art covers that I love! I thought I was losing my mind while looking at the various covers on B&N, because most of them just look slightly different, with the exception of LWW. I like them; I think TMN is my favorite. NarniaWeb helpfully posted them all with old/new cover comparisons. 

~

via the official Narnia Instagram

I never posted a picture of the new Owen Richardson TCON covers, despite discussing them. I like them, I think. They look dynamic and interesting, if a bit dramatic. I'm not really sure if I'll bother buying them; maybe one at a time via thrift stores etc. like my other TCON editions.

~ 

They're also going to come out with a beautiful new collector's edition TCON omnibus. Shut up and take my money!!!

Book Review: Oathbound by Tracy Deonn

 my book reviews for books 1 & 2 in this series

If you have not read the first two books DO NOT read this review, it's spoilery

Severed from the Legendborn. Oathbound to a monster.

Bree Matthews is alone. She exiled herself from the Legendborn Order, cut her ancestral connections, and turned away from the friends who can’t understand the impossible cost of her powers. This is the only way to keep herself—and those she loves—safe.

But Bree’s decision has come with a terrible price: an unbreakable bargain with the Shadow King himself, a shapeshifter who can move between humanity, the demon underworld, and the Legendborn secret society. In exchange for training to wield her unprecedented abilities, Bree has put her future in the Shadow King’s hands—and unwittingly bound herself to do his bidding as his new protégé.

Meanwhile, the other Scions must face war while their Round Table is fractured, leaderless, and missing its Kingsmage, as Selwyn has also disappeared. When Nick invokes an ancient law that requires the High Council of Regents to grant him an audience, the Order’s Merlins imprison him. No one knows what he will demand of the Regents…or what secrets he has kept hidden from the Table.

As a string of mysterious kidnappings escalates and Merlins are found dead, it becomes clear that no matter how hard Bree runs from who she is, the past will always find her.

I was thoroughly sucked in by the first two books in this series (reviews linked at the top) so obviously I had to read the next book when it came out. My Libby request for the Oathbound ebook was finally granted half a month after it came out, and I read it in a day. Literally why did I think this was going to be a trilogy? Basically nothing is wrapped up or resolved! This series is going to kill me. This book differs from the first two in that it's told from alternating points of view, not just Bree's POV.

Oathbound picks up immediately where Bloodmarked ended: Bree has stupidly just made a bargain with the Shadow King (who is also pretending to be a very high-up Merlin in the Legendborn Order), and it turns out that she's bound to him AND he erased her memories of everyone living that she's ever known. Has this wench never read a single work of fantasy? You don't make deals with demons! My god.

Anyway, we meet some new characters, including cambion twins (a Black teen? trans girl and cis guy) Zoelle and Elijah, and Sel's mom???? who is trying to help her son, who if you recall is like nearly fully demon now after sucking up Bree's magic root (not a euphemism). Bree's friends are trying to find her. Nick, who has been imprisoned by the Order, makes them let him go on a quest. Bree has to go on a heist into another demon's mansion; this dovetails into Nick's quest and they meet up accidentally and have to pretend to be an engaged couple who are guests at the demon's auction event party. Bree doesn't remember Nick but he obviously does and they have to share a bed and there's tons of sexual tension. Oh and there's missing Black girls who have root powers; naturally the authorities don't care but Bree knows she needs to find them and save them from whoever is probably stealing their root. And of course Bree has to figure out how to get herself free from the Shadow King and get her memories back.

Some spoilery stuff I want to talk about (highlight to read): 

Sel's mom runs into Bree (she of course does not recognize her), and just from her standing 2 feet away from her, Sel is able to get a whiff of Bree's scent off his mom and goes ferallllll. reaction gif  I was initially not fully on board with this ship (I hate love triangles) but like JFC I am living

Remember the Only One Bed stuff? Once they're done with the quest/out of the demon's house and back with Bree's friends who have the magical underground railroad safety house, Bree and Nick end up hooking up (I think?) on the roof of that house. Girl and guy. You were just in a really swanky mansion room with an expensive king bed. I know you weren't *there* yet mentally but that would have been way better then doing sex stuff on the roof of your friends' house. Yikes. 

Poor Alice :(((( She's my favorite besides Bree and Valec, and I picture her like if Paris and Lane from Gilmore Girls were one person. In Bloodmarked she was struck hard by King Arthur!Bree (he possessed her) and was like on the brink of death, and Bree let the Shadow King kill Alice to get her (Bree's) memories back DDDD: my shaylaaaaa 😭😭😭 I hope she doesn't actually die; I love her and Bree has lost too many people already!

That ending! Sel is the son of the Shadow King??????? He (SK) must have pretended to be/took over Sel's human father's body! WTFFF

Also how do we think the love triangle is going to play out. I know that's not the most important thing (Bree's health and safety is) but I have no idea. I feel like Nick is endgame, but Bree x Sel is so compelling. idk.

Anyway, read this series and scream about it with me. I am not okay lol

Score: ★★★★ out of 5 stars  (like still really good but too sad and scary for more stars)
Spice score: 🌶 I guess? maybe half a chili
Read in: April 15
From: Amazon via Libby via my public library

Tropes: all the previous tropes I listed, evenly matched battle couple fighting each other, there's only one bed, that's all I can think of for now

Representation: secondary/minor Black trans girl character, same as listed before

Trigger warnings, which of course are spoilery: past rape mentions, murder, physical violence, death, blood and gore, racism, kidnapping and imprisonment of teens, slavery mentions, grief, parental loss, fantasy violence, supernatural horror, memories are wiped/manipulated magically, spirit possession (past)

Book Review: Adrift in Starlight by Mindi Briar

When set adrift in the universe, some things are worth holding onto.

Titan Valentino has been offered a job they can't refuse.

Tai, a gender-neutral courtesan, receives a scandalous proposition: seduce an actor's virgin fiancée. The money is enough to pay off Tai's crushing medical debt, a tantalizing prospect. 

Too bad Aisha Malik isn't the easy target they expect.

A standoffish historian who hates to be touched, she's laser-focused on her career, and completely unaware that her marriage has been arranged behind her back. This could be the one instance where Tai's charm and charisma fail them.

Then an accidental heist throws them together as partners in crime.

Fleeing from the authorities, they're dragged into one adventure after another: alien planets, pirate duels, and narrow escapes from the law. As Tai and Aisha open up to each other, deeper feelings kindle between them. But that reward money still hangs over Tai's head. Telling Aisha the truth could ruin everything… 

Their freedom, their career, and their blossoming love all hang in the balance. To save one might mean sacrificing the rest.

I bought this ebook during one of those stuff your ereader sales last year. The premise sounded interesting, although the book is not as scandalous as the premise makes it sound. The setting is in the distant future, where many different planets are known about and colonized. The POV trades off between Tai and Aisha, who could not be more different: Tai is white, nonbinary, a cyborg, an orphan, in debt, and a sex worker who can charm anyone; Aisha is Black, asexual, touch-averse, an archeologist/historian, and an heiress who has been fighting against her ultra-rich and controlling parents to live the life she wants. Aisha's father arranged her marriage without telling her to a famous actor, the one who hires Tai to try to 'find out what she likes' and seduce her. The 'fiance' chooses Tai because they're a cyborg whose brain implant lets them read other people's moods and body language. Tai accepts the job despite their misgivings because it will pay off their medical debt: the shady doctor who saved Tai from the car crash that killed their parents and critically injured them when they were a child used the opportunity to implant the unregulated technology that saved their life, but also kept them chained to the doctor (who probably programmed the implant to malfunction every couple of years to keep the money rolling in), and no one stepped in because Tai was an orphan. This debt drove Tai to go into sex work when their parents' money dried up, mid-high school. So fucked up.

The story really takes off at Aisha's big museum exhibit of fossils from an ancient, presumed extinct ant-like alien culture. Aisha, her colleague Jimin (a nice Korean guy), a pilot named Hue who discovered an alien fossil in the exhibit, and Tai somehow figure out how to get an ancient piece of alien technology working, and it brings the fossilized alien to life! The ant-like creature takes back the alien technology and starts trying to escape, killing a security guard in the progress. Hue is able to communicate with the alien thanks to the dragon she's bonded with (dragons are aliens that can teleport and communicate telepathically, sort of eldila-like). The humans all help get the alien onto Hue's ship so they can get it back to its own people. From the outside, however, it looks like the four humans stole a valuable alien fossil and killed a security guard in the process, and they are now considered criminals on the run. 

They go to several different planets, all very different and interesting: a lush jungle-y planet with no sentient life, where they leave the alien; a pirate port planet named Tortuga after the pirate stronghold!, and Jimin's home planet Halcyon, a peaceful farming community watched over by dragons. All sorts of crazy stuff goes down, and Tai and Aisha grow closer throughout it all and fall in love, but Tai knows the lies will ruin everything between them. In my opinion, it was stupid of Tai to think that Aisha's 'fiance' would still be willing to pay them for seducing Aisha after they became fugitives from the law. In what world would that business transaction be kept? Tai should have realized this and just owned up on like day 2 or 3 when they realized they liked Aisha as a friend. Aisha was rejected in the past for being asexual, and it broke her heart; you can guess what happens when the truth is found out. More wild stuff goes down, and our lovebirds save each other and find a happy ending. I really enjoyed this book and the world it was set in, even though I hated how sexism, classism, and capitalism were still a thing. I'd be down to read more books in this series. 

Score: ★★★★ out of 5 stars
Spice score: 🌶
Read in: April 6
From: Barnes & Noble Nook

moodboard for Adrift in Starlight

Genres/classification: science fiction with some romance and borderline-fantasy elements

Tropes: opposites attract, sex worker x virgin (sorry), flirt x shy/standoffish, presumed criminals on the run, "this other person hired me to trick/date/bed you without you knowing I was hired to do so but now we're falling in love and I know it'll break your heart if you find out but I can't bring myself to tell you because I don't want you to be upset/break up with me" but she finds out anyway and leaves/breaks up with them but the liar apologizes and affirms they do love the lie-ee for real and they end up together anyway. You know the drill

Representation: Black ace female MC, nonbinary femme sex worker MC with they/them pronouns, straight? Korean male SC, Vietnamese bi or pan middle-aged female SC. Queernorm society, no homophobia or transphobia from what I remember

Trigger warnings: violence, death, suicide (very minor character, past), a character is drugged and imprisoned, medical abuse of a non-consenting patient since they were a child, a character began sex work as an underage teenager (all off-page), abusive/controlling parents, a character is shot with a future!gun, orphaned character whose parents died in a car crash (past), drugs and tripping/being high mentions, alcohol mentions, vomiting mentions, allergic reaction, gender dysphoria

Book Reviews: the Gentlemen of Uncertain Fortune series by K.J. Charles

I loved K.J. Charles' Will Darling trilogy and A Charm of Magpies series, and my love for Regency romances is well-documented on this blog, so when I saw that KJC had written gay Regency romance novels, I snapped up the ebooks when they were on sale.  I read the two books in the Gentlemen of Uncertain Fortune series by K.J. Charles back to back in one day. They're set in the same world (well obviously all Regency romance novels are set in Regency-era England, but, you know, the characters have mutual friends and eventually interact etc.) but you don't really have to read them in order. Both ebooks are from B&N/Nook.

 

The Gentle Art of Fortune Hunting

Robin Loxleigh and his sister Marianne are the hit of the Season, so attractive and delightful that nobody looks behind their pretty faces.

Until Robin sets his sights on Sir John Hartlebury's heiress niece. The notoriously graceless baronet isn't impressed by good looks or fooled by false charm. He's sure Robin is a liar, a fortune hunter, and a heartless, greedy fraud -- and he'll protect his niece, whatever it takes.

Then, just when Hart thinks he has Robin at his mercy, things take a sharp left turn. And as the grumpy baronet and the glib fortune hunter start to understand each other, they also find themselves starting to care -- more than either of them thought possible.

But Robin's cheated and lied and let people down for money. Can a professional rogue earn an honest happy ever after?

Gold-digging scammer siblings + an autistic-coded baronet who is not taken in by their charm + paying off a gambling debt by ~creative means~ 👀 They start catching feelings during what is supposed to be strictly a ~physical~ arrangement!! 😱 Both Robin and Hart are forced to come face to face with their parent wounds/childhood trauma, and decide whether they can let themselves be loved as they truly are. Marianne is dead-set on marrying a titled noble so she'll be rich for the rest of her life, but Hart's non-rich, non-titled friend is in love with her, and she might be falling for him... Also there's the math genius niece and card games. I liked this a lot and found it interesting to read about all the ways the Loxleigh siblings acted to achieve their desired results and manipulations. Hart and Robin gave me Roy x Jamie from Ted Lasso vibes. There's also a little KJC name punning going on.  ★★★★, 🌶🌶🌶

 

The Duke at Hazard 

The Duke of Severn is one of the greatest men in Britain.

He's also short, quiet, and unimpressive. And now he's been robbed, after indulging in one rash night with a strange man who stole the heirloom Severn ring from his finger. The Duke has to get it back, and he can't let anyone know how he lost it. So when his cousin bets that he couldn't survive without his privilege and title, the Duke grasps the opportunity to hunt down his ring--incognito.

Life as an ordinary person is terrifying... until the anonymous Duke meets Daizell Charnage, a disgraced gentleman, and hires him to help. Racing across the country in search of the thief, the Duke and Daizell fall into scrapes, into trouble--and in love.

Daizell has been excluded from polite society, his name tainted by his father's crimes and his own misbehaviour. Now he dares to dream of a life somewhere out of sight with the quiet gentleman who's stolen his heart. He doesn't know that his lover is a hugely rich public figure with half a dozen titles. And when he finds out, it will risk everything they have...

Poor sheltered Sev (the Duke of Severn) just wanted to have one anonymous hookup, but gets plied with alcohol and robbed while unconscious. His well-meaning relations basically run his life and are always impressing the Grandeur and Importance of his title, so they can't know his ring was stolen; no one can know, as gay hookups are illegal. It was actually stressful reading about Sev (going by Cassian, one of his many names) trying to get around by himself when he has no idea what he's doing. Luckily he stumbles on Charnage, who was a few years above him at Eton, and hires him to help him look for the guy who robbed him. Their adventures have both highs (sightseeing, There Was Only One Bed) and lows (having to ride in a public coach that packs in smelly people like sardines, being in a horrible coach crash with casualties, getting kidnapped), but overall Sev/Cassian finds the freedom exhilarating. He and Charnage also keep running into a young lady hell-bent on eloping and evading her awful guardian, and try to help her. Charnage's deal was sad; I hated how he was cast out from society because his dad committed a crime he had nothing to do with. The fact that Sev/Cassian has been lying to him this whole time doesn't help. Overall this was a wild ride, and I loved reading how Sev came into his own as a Duke and how he used his position to make things right with Charnage and his friends and fix their issues.  ★★★★, 🌶🌶🌶  DM me for TWs (I believe both books have them listed at the beginning)

unorganized moodboard for the Gentlemen of Uncertain Fortune series

Book Review: The Flowered Blade by Taylor Hubbard

Crown Prince Silvyr Quilen is the family disappointment. His father, High King Keryth Quilen of Athowen, wanted a son to follow in his image of an elven warlord who rules with no regard for those around him and will do anything to maintain his power. However, the king finds Silvyr's desire to spend his days in the flowers and libraries to be pathetic and useless.

Despite that, Silvyr strives to receive his father's approval. On a diplomatic journey to Xeatia, where he was meant to collect taxes and return with a report on their financial situation, Silvyr is suddenly forced to confront the consequences of his father's actions when the Orcs of Ghizol attack his caravan.

Chief Brokil of Ghizol has been tasked with leading and protecting his people. For years he sacrificed and waged war to ensure the people who voted for him to lead could live in peace. For that reason, the risk was worth the reward. With the approval of the Ghizol council of elders, Brokil executes his plan: kidnap the Prince of Athowen, Silvyr Quilen, and send their ultimatum to the King. Leave Ghizol alone, or have his heir be killed.

Keeping Silvyr as his ward, Brokil finds that while the prince is the most annoying person he's ever met, he is also nothing like his father who carries the name Tyrant King. Absolutely bewildered and exhilarated, Silvyr and Brokil are forced to confront themselves and each other while the looming threat of Ghizol's demands hang over them.

I had seen this book be shared around a lot on bookstagram, so when it was available for free on Amazon, I downloaded it. The vibe I've seen is "this is spicy! 👀" but this book actually turned out to have lots of plot that was interesting to read about. 

Silvyr tries so hard to be the kind of son his father wants, but his father always sees him as too soft and cowardly regardless of what he does, and blames him for things he has no control over. His home life is so intolerable that getting kidnapped is a respite; even though hunky Chief Brokil yells at and insults Silvyr, at least he isn't also physically abused like he is at home, and he can look at flowers as much as he wants. 

Brokil, whose father the previous chief died at the hands of the elves, strives to live up to his role and feels the weight of his clan's existence on his shoulders. Certain that the Tyrant King's son is just as monstrous as his father, Brokil is surprised to learn that attractive Silvyr would rather learn about flowers than wage war, is soft-spoken when not in a yelling match, and is actually sort of nice?

Both men fight, and eventually give in to, their attraction to one another, but the political issues between their peoples create tension. Silvyr knows his captor could--and will, if the clan's demands aren't met--kill him, and he knows he should be doing everything in his power to escape and go home, including using Brokil's attraction as a possible manipulation tactic, but Ghizol feels more like home than his father's palace ever did. Brokil knows Silvyr could be manipulating him with his wiles, and knows the time may very well come when he needs to kill Silvyr, but he doesn't know if he can bring himself to do something that feels so wrong. 

I enjoyed this book and found it very interesting. My criticisms are really more quibbles: it sort of felt like the two leads slotted too neatly into M/F romance lead dynamics (Silvyr being kind of a damsel in distress* while Brokil is so much bigger and manlier than him etc. To be fair this is a common thing I've seen in M/M romances), and I was confused about their size differences (I swear the book initially said that Silvyr only came up to Brokil's chest, but the rest of the book sounded like they were closer in height than that, like the cover shows? This may just be that I'm stupid). I also felt that Silvyr and the other characters took way too long to figure out the solution at the end. Overall I recommend this to anyone who likes romantasy with spice but also plenty of plot. 

Score: ★★★★ out of 5 stars
Spice score: 🌶🌶🌶🌶
Read in: March 24-27
From: Amazon

Genres/classification: fantasy, romance, romantasy, monster romance if you squint, some political intrigue

Tropes: enemies to lovers, kidnapped by a rogue you fall in love with, falling in love with one's kidnapper, forced proximity, there's only one horse, there's only one tent, there's only one bed, "they're only sleeping with me to manipulate me for political reasons" etc., healer x warrior, everybody can tell they're into each other/in love but them, that thing when a presumed bad guy saves/rescues a child, showing that he's actually a good person

Representation: trans man MC, gay relationship, Silvyr gives off neurodivergent vibes (I saw a review that said he's autistic), sapphic couple mention (blink and you miss it), inter-species relationship. There is no transphobia or homophobia in this book

Trigger warnings: torture, murder, blood, gore, a character is beat unconscious, a character is whipped, verbal, emotional, and physical abuse; battles/fighting, kidnapping, threats of death/execution, inferred threat of sexual assault (doesn't happen), characters are kidnapped into slavery (they are freed and the slavers get what they deserve), Silvyr experiences dysphoria, dubious/non-explicit consent for some of B&S's ~encounters~

*sorryyyyy that felt shitty to write about a trans man character! That is how he and their dynamic were written tho

Book review: The Classic Tales of Beatrix Potter

The March pick for The Enchanted Book Club was the tales of Beatrix Potter. I loved them growing up, as I did all animal books. My sister and I had a mini BP book set in a cardboard drawer that I think my grandma had thrifted; she (my sister) still has the drawer and the remaining books that haven't been lost. I checked out The Classic Tales of  Beatrix Potter: The 23 Original Peter Rabbit Books from my work library since I don't own them (yet). I had read most but not all of them; I don't think I'd read the pigs', hedgehog's, or squirrels' stories. The story I remember best is that of Flopsy, Mopsy, and Cotton-Tail, who fall into Farmer McGregor's hands after eating too much lettuce; that story taught me the word soporific.

I enjoyed the stories very much; the art is beautiful and realistic, with each detail lovingly rendered. The animals really look like their real-life counterparts; Beatrix Potter was a nature illustrator, so this makes sense. The animals are so cute in their little clothes. I had to force myself to slow down and stop reading so fast and look at the pictures. I used to pore over the illustrations as a kid; who knows when that stopped?

I had read an article a while back about how heavily Beatrix Potter had borrowed from the Brer Rabbit stories without crediting them; this kept me from fully enjoying the stories as much as the first time around. So fucked up to steal folklore stories from enslaved people who were literally stolen from their countries and those stories were the only things they had left from their home countries, right?? That really bothers me. She should have been honest about her stories being based on someone else's stories. I was going to bring it up during the bookclub zoom meeting but I chickened out (there wasn't time for everyone to talk anyway). 

Something I'd completely forgotten about was how often the animals are in danger from humans. Of course I'd remembered the danger Farmer McGregor posed to the Peter Rabbit family, but I was kind of surprised by how often the threat of humans turned up with the other animals. It makes sense that the animals would hunt each other and whatnot, as they do in nature/the real world; what weirds me out is that these are sentient, talking animals who often wear clothing and walk on their hind legs, yet the humans in the BP world have zero qualms eating them. If I had talking animals as my neighbors, who could say good morning to me and inquire as to the direction of the market, I would not feel comfortable seeing them as food options, let alone killing and eating them. Why don't the humans consider killing and eating a sentient, talking, clothes-wearing animal to be murder? There's a story where a sailor manipulates a young pig (aka a child) into going on a ship with him, then feeds the pig until he falls asleep, and the ship takes off with the pig trapped on board, all so the sailors will have a pig to fatten and eat on their voyage! That's basically human trafficking, albeit with a pig. No one feels a moral quandary about this? The pig story is BP's fanfiction about how the pig with a ring in its nose got to that island the owl and the pussycat go to in the poem. Funny how she did credit that story. 😒

Anyway, highly recommended. If you want to read this to young children, keep in mind a lot of the animals are often in danger from predator animals and human beings, and a decent percentage of them get animalnapped. That may scare or bother toddlers and small kids; I know my nephews would be like "but why??" 

Score: ★★★★.5 out of 5 stars
Read in: March 17-27
From: borrowed from the library where I work

Genres/classification: children's books, children's literature, children's classics, picture books, picture books anthology, animal books, English literature, low fantasy

Narnia bloggin': the different Chronicles of Narnia covers I collect

Previously: the first post in this series

I mentioned previously how I collect multiple editions of The Chronicles of Narnia that have different covers, which I brought up because of the announced upcoming new TCON covers by artist Owen Richardson that I wanted to talk about in my previous Narnia Bloggin' post. That got me thinking about all of the different cover editions of the TCON series that I own, and I decided to turn my Narnia bloggin' post into a series so I can post about all of them. Unless otherwise stated, I collected all of these by looking for them in thrift stores and yard sales and slowly buying them one by one as they turned up. I don't think I paid more than $3-5 for each copy. 

I first read The Chronicles of Narnia at my local public library, and they all mostly had these deeply strange and ugly neon illustrated covers that I nonetheless have a lot of nostalgia for. The cover for The Magician's Nephew (MN) is especially imprinted in my mind, as it was the first Narnia book I ever read. A quick google let me know that these are the 1970 Collier Books set with art by Roger Hane. I picked up from my various readings and Narnia fandom presence that these were made for the American market, although I may not be correct.

source

For the most part, these covers mostly seem to be the artist's take on scenes from the book, probably inspired by the preexisting inside illustrations by Pauline Baynes, whose illustrations remain inside of all of the different versions of the full Narnia books I've ever seen (even the mostly un-illustrated omnibus retains one of her illustrations to head each chapter). I don't remember if PB actually drew the four Pevensie children going into the wardrobe and Narnia the way Hane has for The Lion, the Witch, and the Wardrobe (LWW), and the cover illustration for MN is drawn from a description of the children and Jadis emerging from a pool in the Wood Between the Worlds (Jadis had indeed grabbed Polly by the hair). The disembodied giant head of Aslan above Shasta and Bree on the cover of The Horse and His Boy (HHB) is, of course, artistic license. Overall, good and accurate covers, if a bit strange. I own all seven.

~

The first Narnia books set I ever owned was the 1990s ones with cover art by Leo and Diane Dillon, a married couple and fantasy & science fiction illustration powerhouses who have illustrated a lot of famous books. I believe the brass-looking wardrobe frame around each cover illustration was made by one or both of them too. I think it's supposed to depict a dryad (?) and a dwarf welcoming you into the wardrobe and Narnia. As a child I received one book for each birthday and Christmas in a four-year span; my parents undoubtedly thought seven books were too many and too expensive to bestow upon me at once. 

source

MN focuses solely on its antagonist, as does LWW; the rest depict pivotal scenes in their respective books (well, The Voyage of the Dawn Treader [VotDT] depicts the Dawn Treader just sailing on the water, a popular choice for the book). The Dillons' art is very detailed and has a bit of an alien, weird quality. The title areas all having different colors is a good idea to help tell them apart. I highly recommend clicking on the source link below the above image to see the original poster's other pictures of the covers.

~

After the Disney LWW movie I got into the Narnia fandom online and became aware of other book covers. 

One of my favorites is Cliff Neilsen's TCON covers; they're computer illustrated and feel fresh and modern. I especially love the flame lion Aslan that adorns the omnibus. 

 

 

The transparent, scifi-looking elements make the books seem spookier then they (generally) are. Looking at the covers now, they do rather look like products of their times, but I do still like them a lot. The LWW cover is probably my favorite. I own all of these except for The Magician's Nephew, for some reason.

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Like most book lovers, I generally disdain movie tie-in book covers, but I did get the ones for the Disney Narnia movies. My mother actually bought me the LWW tie-in Narnia omnibus (the one with the White Witch), which a friend of hers had at her yard sale or something. I did not want to buy it myself because it only depicts art from the first book/movie (the fire Aslan omnibus pictured above is general so it was ok in my opinion). However, a gift is a gift. Owning that omnibus is what made me decide to buy the other movie tie-in covers. 

 

I genuinely cannot recall which of the two LWW movie covers is the one I have; maybe one is on the LWW omnibus? I cannot recall. I have all of these except for VotDT (I actually just purchased the movie cover Prince Caspian earlier this year). There seem to be a couple of variant covers for each of the movie tie-in books. 

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There are many TCON series that have cover art by Pauline Baynes, the original illustrator; at least in the US, her illustrations within the TCON books always remain, regardless of the cover art. The ones I've decided to collect are the full-color collector's editions in paperback (identical to the hardcover ones shown below).

source

 

The MN, LWW, HHB, and VotDT covers show idyllic scenes from the books (Aslan did romp with Susan and Lucy, although there was no mention of a daisy chain); the other three books' covers show more suspense. These are good, if a bit precious and of the time. Having the inside illustrations be in full color is very nice, as is the thick glossy paper. My most recent thrift store trip yielded a slightly creased copy of the full-color VotDT, so now I have all of them! 🤩

Obviously, I could track these down and order them online, instead of getting them from the thrift store as they show up, but where's the fun in that? 

AMAZING website I just found in looking up the different covers!!