SimonTeen's free December ebooks

SimonTeen (the teen books arm of publisher Simon & Schuster) did a fun promotion where every day from December 1-25, they had a book you could read for free digitally if you made an account on their website. Being my parents' daughter, I love free stuff; naturally, I had to avail myself of the opportunity. I read so many good books due to this promotion; here they are. 

 

Pride & Prejudice & Pittsburgh by Rachael Lippincott ★★★★ (December 10) Aesthetics moodboard for P&P&P

Rather than being a lesbian Pride & Prejudice retelling, as the title suggests, it's about a 21st century girl who somehow time-travels to Regency England. Audrey, who had been trying to rediscover her spark for art, needs to figure out how to get back to her time and home in Pittsburgh. Lucy, the young lady whose backyard Audrey ends up in, is being forced into marriage by her domineering father. Can they figure out how to get Audrey home and Lucy out of getting married, and figure out their feelings for each other??? This book was so good and I really enjoyed it, even if the title feels like a placeholder they never got around to replacing. The story is not P&P enough to justify the title. No spice, just kissing. Trigger warnings: controlling & abusive father forces daughter into engagement/marriage and threatens to kick her out of the house, internalized and societal homophobia, a girl is tied up and locked in a room, semi-controlling boyfriend/codependent relationship (past)

Rana Joon and the One and Only Now by Shideh Etaat ★★★★ / 🌶🌶🌶 (December 12)

Go read the book description at the link above and then come back, because it's hard to sum this book up succinctly. Rana is so full of grief at the loss of her best friend and angry at her mother's unequal and sexist treatment: her mom will nag her to diet and be more girly while pampering Rana's brother and letting him do whatever he wants because he's a boy. Their dad visits once a year because he lives in Iran, and the family frays under the weight of pretending to be one happy family. Rana wants to enter a rap battle in her friend's memory as it was his dream, and in starting to practice and gain confidence, she befriends and starts to fall for a fellow Iranian American girl. I really rooted for Rana and wanted her to have every happiness. I gave it 3 chilis because of a couple of sex scenes and explicit language. Trigger warnings: car accident death that may have been suicide, lesbian has sex with a guy which could be seen as self-harming, depression, mental illness, homophobia, bullying, anxiety, controlling parents, fatphobia and diet culture, drug use, underage drinking, sexism, infidelity, partying, sexism

Miles Morales: Suspended by Jason Reynolds and Zeke Peïa ★★★★ (December 14)

I loved both Miles Morales Spider-Man movies, so I was excited to read this one even though I don't usually read comics-based middle-grade novels. This one reads like Miles is writing in his diary or talking to you and includes poetry by Miles that moves the plot along. It's a sequel to MM: Spider-Man; you don't have to have read it to get what's going on here as it's summed up, but MM: Suspended is a continuation of that story. Miles is suspended for standing up to his racist teacher, and something is not quite right at school... I feel that Reynolds really captured Miles's voice, and I enjoyed being along for the ride, even though the villain/threat is creepy. Reynolds deftly folds Miles' personal and superhero dilemmas with the current racist book-banning issue in an age-appropriate way, and with such economy of language, all in a 14 year old AfroLatino boy's voice! I was really impressed by his writing and will have to check out more of what he's written. Peïa's art is dynamic and fun but never distracting. It's not illustrated enough to be a graphic novel, but it's got way more illustrations than your typical middle-grade novel (Miles should always have art). There's a librarian character I found very intriguing. Highly recommended. Trigger warnings: insects/bugs, violence/fighting (if your kid watches superhero movies it's probably fine), racism, racist/unsupportive school and teachers, lying to teachers (see prev. so it's fine)

A British Girl's Guide to Hurricanes and Heartache by Laura Taylor Namey ★★★.5 (December 17)

This is the sequel to a book I asked for for a couple of birthdays ago and still haven't read, A Cuban Girl's Guide to Tea and Tomorrow. I hate reading series books out of order, but ABGG2HaH was only available one day, so I read it anyway. It seems to be a reverse of the first book, which was about a Cuban girl going to England after suffering loss; this one's about an English girl going to Miami after suffering loss. Flora has just lost her mum and has hurt her family with her grief and anger, so she runs away to stay with her friend Lila (first book girl)'s family. Her best friend Gordon, who had just confessed his feelings before she ran, follows her to Miami, just after she's met Baz, a Cuban cutie who's part of a famous photographer dynasty. Flora goes to cool places I'm dying to visit, deals with the Cuban chisme grind, and tries to figure out where her heart lies, all while continuing to throw herself into photography. I enjoyed this book a lot as a Cuban American, even though I know nothing of Miami. I'm not from England either but I'm not sure how true Flora's Englishness rang. The right words are there, but idk. Still, a great read! I def want to read the first one now. No spice, just kissing. Trigger warnings: death, early onset dementia, grief, hurricane/natural disaster

October books

The first book I read in October was Frida A-Z: The Life of an Icon from Activism to Zapotec by Nadia Bailey with illustrations by Susanna Harrison. I got it for my birthday. It's a combination alphabet picture book and biography of Frida Kahlo, where each letter stands for something important in Frida's life. Neither author nor illustrator sounds like they're Mexican (they're both Australian), and this is usually a point of concern for me. There are a lot of (white) women who love Frida Kahlo, but they often don't see past the flower crowns (which she never wore) or the pretty dresses. I feel like latinx women, especially Mexican women, are the ones who best understand what makes Frida so important and special. However, Bailey did her research, and the book did not seem surface-level at all. I actually learned a few new things from this book. When it comes to Harrison's art, however, it was lovely, but she made Frida too pink. Frida's father was German and her mother was of Spanish and indigenous descent, but she was nowhere near that level of white. Clearly Harrison chose the trendy tropical millennial pink aesthetic over actually capturing what Frida looked like (we have so many pictures of her, you guys), and in the process accidentally whitewashed her. Another drawback was that there were no sources listed for the information the author wrote! This is my #1 pet peeve for nonfiction books. Just throw in a list of sources at the end! It's not that hard! Overall, however, this is a beautiful and well thought out book that is a must-have for every Frida fan. The book candidly discusses Frida's injuries, affairs, miscarriages, and bisexuality*, so I wouldn't recommend this as a children's book (it's probably fine for junior high aged kids). 4/5 stars, keeping. Trigger warnings for this book: miscarriages mentions, horrific injury description, body horror, infidelity, smoking, alcohol mention (I think), nudity in some of the art. 

 

The next two October books, which I'm grouping together, are The Home Edit and The Home Edit Life by Clea Shearer & Joanna Teplin. I love organizing and cleaning shows, such as the Marie Kondo show on Netflix, so when I saw Netflix had come out with another similar show, The Home Edit, I had to watch it. Needless to say, I became obsessed, and bought their two books immediately from Barnes & Noble and Target. Similar to the show, the books show off celebrities' huge and beautifully organized kitchens, pantries, closets, etc., and Clea & Joanna share organizing tips to maximize space and display items. There is so much organization p0rn, you guys. I love the books and their rainbow pages, and Clea & Joanna are a delight. My only wish is that they had clearly outlined and depicted exactly the kinds of canisters, boxes, storage organizers, etc. they used, with ideas of how to use each one. If it weren't for the TV show where they show you how they organize rooms, this would be a major drawback for me. However, if you love organizing and Marie Kondo, I'd definitely recommend these books. 4.5/5 and 4/5 stars, respectively; the first THE book gets an extra half star because most pictures include lists of items used for containing. Trigger warnings: none that I can remember

 

*obviously I don't think bisexuality is something to hide from the children! some kids are bi. People are bi, Steven. I just know how some parents get

Latinx representation

Study finds films lag significantly in Latino representation

Latina women in films are all maids, immigrants (undocumented or not), gang girls or cholas, spicy and tempestuous, Jennifer Lopez, or all of the above. I'm trying to think of a Latina in movies I could relate to. America Ferrera has come close; she played Carmen in Sisterhood of the Traveling Pants, but her story was not my story. I have yet to watch Real Women Have Curves, but it's on my list.

Representation matters. Ask me why I, a white, blue-eyed, brown-haired girl, never really saw any character I identified with. (Maybe I would feel differently if I had watched Gilmore Girls. Alexis Bledel is a white Argentinian with blue eyes and brown hair and her character loved books. But her character was white.) Ask me why I saw America Ferrera's awkward bespectacled face as Ugly Betty and immediately placed the TV show in the #1 slot in my heart. Ask me why her Mexican apron-wearing, cooking dad and prettier, more popular sister felt so familiar. Ask me why I latched on to Jane the Virgin, with her love of books and dreams of being a writer and the specter of religion haunting her desires. When Jane and her mom and her abuela sang feliz cumpleaños to her son, harmonizing, I burst into tears. My family does that. I had never seen anything on television so close to my personal experiences. I feel uncomfortable when, in TV shows and movies, second and third generation Latinx Americans speak in English to their parents and grandparents while they speak to them in Spanish. I do that to my dad without knowing, and it makes me feel guilty.

Depending on your interpretation, Latinxs have been here since before the United States claimed its independence. J.Lo goes to the gym every day, but she cannot carry us all on her shoulders. Nor should she.

Hispanic Disney Princess, part 2

Here we go again.

Princess Elena of Avalor, a confident and compassionate teenager in an enchanted fairytale kingdom inspired by diverse Latin cultures and folklore, will be introduced in a special episode of Disney Junior’s hit series Sofia the First beginning production now for a 2016 premiere. That exciting story arc will usher in the 2016 launch of the animated series Elena of Avalor, a production of Disney Television Animation.

Remember my hit* post about Princess Sofia? I got all excited for a second that we were going to have a real Latina Disney Princess, but it turns out it's just a spinoff of Sofia the First on the Disney Channel. Elena does look 'more Latina', which yay for representation for brown girls (especially brown Latina girls), but you can't claim she's Latina since she's from a made-up country. Please read that post I wrote about Sofia for all my thoughts about giving us "Latin@" characters who are from a made-up world.
I am further annoyed by the "this fake world is inspired by Latino and Hispanic cultures around the world!" nonsense that I hate. Latin@s are not all the same; please don't lump us together. A ~*Latin-flavored*~ setting (when done by white people) is just insulting; there's better representation on a tortilla chip bag. I get that the amount of countries and cultures is overwhelming, but try to do better by us.
Although I guess you could argue that like half the white Disney Princesses are from made-up lands (Atlantis or whatever the mermaid city is called, wherever Frozen is set, etc.). So I guess what I'm annoyed by the most about this is that it's more of the same. They already did this to us with Sofia. Why aren't Latina princesses good enough to get a feature film? This feels like some "all animals are equal, but some animals are more equal than others" nonsense.

p.s. I am so excited for Moana!! PLEASE GO SEE MOANA; it needs to be super successful so that Disney will keep making movies about non-white people!


*not really

Disney's First Hispanic/Latina Princess?

All right, finally found something to blog about! I have no idea how I missed reading about this earlier, but apparently Disney is going to have its first Latina princess. Her name is Sofia and she becomes a princess because her mom marries the king of Enchancia (yeah, I know). Read this article and this one too. What I find weird is this:

• while Sofia's mom is clearly Latina (she is voiced by Sara Ramirez from Grey's Anatomy, while Modern Family's Ariel Winter voices Sofia) and has dark brown hair and eyes and brown/tan skin, Sofia has auburn hair, blue eyes and basically just looks white, and
• Sofia is going to be in a computer animated Disney Juniors television show, not in a full-length feature film like any of the other Disney Princesses.

Being Latin@ is an ethnicity, not a race, so obviously there is a great deal of physical variation among Latin@s or Hispanics (Latin@ [the @ is used as a combination 'o' and 'a' symbol; in Spanish males' words end in o and females' words end in a, so this way both genders are included] is a newer term that roughly means the same thing as Hispanic, but the latter is a word applied to our ethnic group by the US government [aka white people] to classify us, so many Latin@s prefer this word. It's roughly the same to me, although I grew up using Hispanic because my parents do). I myself am a 'white' Latina; my dad is Mexican and my mom is of Cuban descent, but there is so much Spanish blood (my dad's family were land owners and he had a French whoknowshowmany-great-grandfather, while my mom's family are Cubans who also pretty much directly descended from Spaniards) that my immediate family pretty much all pass for white (my sister is blond, even). You don't have to dig very far in this blog to find pictures of me; I do have dark brown hair but I also have white skin and blue eyes. I'm whiter than most white people. Obviously, just because someone has light skin, hair and eyes does not mean they can't be Latin@.
The problem is that this is Disney's first Latina princess. This is a big deal. I think this is just about the only ethnic group the Disney movies haven't covered. Quick rundown of Disney Princesses: Snow White (come on. It's in the name/fairy tale), Cinderella (blonde/blue-eyed), Aurora (ditto), Ariel (first redhead! still white even though she is a mermaid), Belle (brunette and brown-eyed, French), Jasmine (first non-white princess! Arabian? Clearly Middle-Eastern. Agrabah is not I think a real place), Pocahontas (Native American, an actual person but she was so not like that), Mulan (Chinese, what I said about Pocahontas although technically she is not a princess since her dude wasn't a prince), Tiana (first Black princess! also from a real place, New Orleans, and is African American), and Rapunzel (after all that diversity I guess we needed to return to a blonde, white princess. She has green eyes, though). Oh, and Pixar's Merida (Scottish; red, crazy curly hair; blue eyes. Love her). These are the official Disney Princesses™, although Giselle (played by strawberry blonde Amy Adams), Kida (Atlantean princess with tan/brown skin, white hair and blue eyes who is all *~exotic~*), Ariel's daughter Melody (also white and has black hair like her dad Prince Eric), and Eilonwy (princess from The Black Cauldron. She's your basic blonde/white/blue-eyed princess but in her defense TBC is based on a book that was heavily influenced by your typical European fairytales) also exist. There has been no Latina princess, though, so it's rather disappointing that this one looks like your basic white girl. Yes, white-looking Latina girls like me exist (obviously), but we already have enough princesses to look up to or hold up as being or looking like me (Belle 4eva). What about the brown-skinned girls? There's just Pocahontas, Jasmine and Tiana for them, but none of these are Latina.
I think it's been a long enough time since the only two Hispanic-adjacent movies in this vein that we can do another movie set in pre-Columbus America about Mesoamerican peoples. The Road to El Dorado (which was made by DreamWorks but was clearly trying to mimic Disney's movies/success) was about two bumbling conquistadores trying to find/steal from a city of gold with a wily Mayan babe's help (can't remember if she's royal but I doubt it), while The Emperor's New Groove (set loosely in the Incan empire in Peru) does not have Emperor Kuzco actually get married (his wife would be an empress, though) since it is an odd-couple buddy movie. Despite Tumblr's lovingly referring to Kuzco as the best Disney princess, he does not actually count (although he is entertaining). It would be really neat to have an Aztec or Mayan princess, but it would be just as neat to have a standard princess with the dress and tiara and everything who just happened to have brown skin and dark hair/eyes. The Disney representative mentioned as the source of this information in one of the articles linked to above said that they're not flouting her ethnic background, just treating it matter-of-factly, which I think is fine. It would be nice if a brown-skinned princess were treated as normal.
This is especially a bummer since Sofia's show is set in Enchancia (ugh), a made-up country. The people there could look like anything you want (although at least it does seem rather diverse, judging from the trailer), and you have that girl and the ruling family looking white? Disappointing. I'm definitely not saying I want a sombrero-wearing stereotype or a story you can't watch without 'Cielito Lindo' constantly being played (I'm looking at you, From Prada to Nada), but why would you say a character, especially one you're trying to market as a Disney Princess, is Latina but then not have their culture be anything relevant? As the EW article says, "Sofia is half-Enchancian and half-Galdizian. The two kingdoms are in a world where a few real countries like France exist, but they’re still fictional, making words like Latina and Hispanic less clearly applicable." Some of the light-skinned Latin@s talking about Sofia on Facebook (link from the Mashable article) are angry that other people think she's too white, pointing out that skin color doesn't determine Latin@-ness (which is true) and that the white princesses and famous people don't share our culture and experiences. However, it's not like we light-skinned Latin@s are finally getting representation either; the child's from made-up lands. How does that count as Latin@? It doesn't, in my book. It feels like Disney's trying to seem diverse without really being so. Dora the Explorer's better than this. We're getting the short end of the stick, representation-wise.
I also think it's weird that Sofia is from a (pretty basic-sounding) TV show for young children. All of the 'real' Disney Princesses were at least in their teens, of marriageable (for their medieval/fantasy settings, anyway) age, and this one is clearly a little girl. This is Disney's first Latina princess, and she doesn't even get her own movie? That plus her age makes her not really count as a Disney Princess; it makes her not very important. I just barely heard about her today, and the show starts next month. Maybe they will do a real, brown-skinned Latina princess with her own movie in the future. Who knows. It feels like we still have a ways to go.

Image from Mashable. Note Sofia's mom, fourth little box from left.

From Prada to Nada

The sister on the left never dresses like that. She is in cute but comfy clothes in the whole movie, except for the obligatory makeover montage (which doesn't take). And the sister on the right never works, for shoes or otherwise.

I watched From Prada to Nada with my parents a couple days ago, just in time for Mexico's Independence Day. It's a romcom retelling of Sense & Sensibility, which I didn't know and which made me happy because I love retellings of my favorite books (as long as they're good) and because I had been feeling meh about the movie (my dad talked me into watching it). Really, the title is groan-worthy and riches-to-rags stories with shopaholic girls are so done, but this movie was actually surprisingly good. The representations of the Hispanics/Latinos in the movie were real. Usually it's somewhat cringeworthy, but these were real Latino people saying things Latina aunts or whatever would totally say. This is because the director and the script writers were Hispanic, which pleased me. About 70% of what happened with the two main characters (the Elinor ["Nora"] and Marianne ["Mary"] characters) was just as lame/cringeworthy as you'd think, but overall it wasn't half bad. Was it predictable? Yes. I mean, if you've read S&S you know what's going to happen, obviously. And you could probably go through this movie with a Latino movie cliché checklist (cholas? check. La Migra joke? check. And so on). What I found interesting (besides the rather genuine portrayals of Latinos) was the stuff they added to the sisters' characters. Besides making Mary be all swept up in lurve with Willoughby/Rodrigo, they added the dimension that she wanted to go back to her old way of life in Beverly Hills and get out of East LA/the barrio, making her love of the hot TA more gold-digger-y/mercenary and less romantic. And Nora, instead of secretly loving Edward and then finding out he was engaged the whole time, went the standard "we banter! He likes me but I am scared and Turn My Back on Love!" and you know what happens next. It's interesting how they didn't want Elinor to be the boring perfect one and so they made her storyline more standard romcom. In S&S, Elinor really does nothing wrong while the only thing Marianne does wrong is love recklessly without thinking of propriety or consequences (well, she is quite rude and self-centered too). However, it's like for the movie they didn't want the girls to be that blameless, so they made Mary a gold digger and Nora all obsessed with her 10 year plan. idk. Overall I did like the movie and it made me sad I don't have like twelve Spanish names I can trot out at the drop of a hat (at most I have four but only two are Spanish) or a family that throws huge block parties with salsa music for El Grito where I can dress like Frida Kahlo (but I am always wanting to do that anyway. It's a pity I'm so white-looking). Overall I liked this movie, which you can watch for free on Amazon Prime. 3.5 out of 5 tacos.

Elinor: Uptight Career Woman Who Don't Need No Man (law student version). Can't speak Spanish but tries to learn. Played by a half-Brazilian actress (I was worried for a bit that they cast a white actress until I looked the movie up on IMDb).
Marianne: slutty shopaholic party girl with gold digger tendencies. Can't speak Spanish and tries to deny her Mexican heritage. Played by a half-Venezuelan actress (Carmen from Spy Kids!).
Mrs. Dashwood: dead, obviously was just like Marianne/Mary. Represented by painting.
Margaret Dashwood: axed (not necessary to story)
Mr. Dashwood: Gabriel Sr. models his mustache after Pedro Infante's, dies within the first 8 minutes of movie. Represented by topiary.
Edward Ferrars: Edward Ferris, hot lawyer. White but looks more Mexican than Nora does for some reason (played by Italian actor). Speaks Spanish badly.
John Willoughby: Rodrigo something, hot Mexican TA who turns out to be married and was just using Mary. Well, at least he got her to read a book.
Colonel Brandon: Wilmer Valderrama, hot thuggy vato who is secretly an artist/carpenter with a heart of gold. The above two actually speak Spanish well.
Sir John Middleton: actually became the girls' tia, an awesome lady who with her two comadres is also Mrs. Jennings.
John Dashwood: Gabriel Jr., who turns out to be Gabriel Sr.'s illegitimate son and has daddy issues because his father never acknowledged him, wanting to save his marriage to the girls' mom. A pushover and super wimpy, lets his wife control him, so just like the book.
Fanny Dashwood: forgot her name but she is a right bitch, just like in the book. Blonde WASP.
Lucy Steele: Bitch-in-law's bestie, is set up with Edward and he's engaged to her like immediately. Also white, but interestingly she does no scheming, just passively does whatever "Fanny" says. Is only relevant as an obstacle to Edward and Nora getting together.
Setting: Beverly Hills, East LA
Recurring themes: cultural heritage, importance of family (obvs, that's in every movie with more than one Latino person), Cielito Lindo song

My Monday Morning Commute

Two Hispanic middle-aged ladies sat across from me on the train this morning, quietly chattering to each other in Spanish the whole time. Towards the end of the trip, a crotchety white man told them it was the quiet car, a term I translated for them. They asked me if I was going to school, which school, and what I was studying. They were nice and I thought, "Wow, it's a lot like talking to my grandma." Then one of them said, "If a boy tries to kidnap you, fight him, scream!" and I was like "Holy cow it is exactly like talking to my grandma."