Showing posts with label Italia. Show all posts
Showing posts with label Italia. Show all posts

Thursday, January 13, 2022

December books

As you know, I've been on a cozy mystery kick lately, so I picked up The Glass Is Always Greener by Tamar Myers from the same thrift store I got my Agatha Christie books from (it also cost 50 cents). It's a Den of Antiquity novel, which is a series of cozy mysteries about a mystery-solving antiques dealer in the Southeast. (I refuse to call it the South; that would actually be the bottom third/half of the US. The south of the eastern part of the US should be called the Southeast, to be correct.) That sounded intriguing to me, as I like antique shops and cozy mysteries. Read TGIAG's synopsis here. Anyway, this is the type of book whose calling card is EXTREME ZANINESS. I was choking on it. Everyone is very South(east)ern and insane. I couldn't keep up with all the characters and their weird names and who they were to each other. Barnes & Noble says this was the last book in the series (there were 16?!?!), but I should still not be this lost. With a series this big, a newbie should be able to pick up any book and be able to keep up. The way Abby (the antiques dealer/mystery solver and narrator) described people's physical appearances was weird. Her petiteness (she's 4'7") and that of her mother was remarked upon way too often. The murder wasn't really explained that thoroughly, and even though it's the last? book of the series, it ends on a cliffhanger. I will not be keeping this book and I won't be reading the others in the series. 
Cover notes: The cover has nothing to do with the book at all. I don't think the artist read any of it. Abby's cat (who doesn't even come into the story at all) is shown in front of a broken window of green glass. The green glass in the story is not that of a window. I mean come on.
Trigger warnings: murder, death, corpse found in a freezer near food, stabbing mention, poison mention, homophobia, racist/transphobic character, lots of food talk, touching without consent, characters ignore boundaries
 
 
Next was a Savers find, Under the Tuscan Sun: At Home in Italy by Frances Mayes, another Southeasterner. Mayes and her boyfriend Ed purchase and restore an old Tuscan farmhouse, and learn how to live and eat in Italy. The book is based on the journals she kept while doing this. Mayes was the head of Creative Writing at the university where she works, so of course this book was written beautifully. Her voice is soothing yet intelligent and interesting, and I liked seeing everything through her eyes. She's one of those writers who is familiar with all sorts of literary and historical sources/works and casually mentions what they say about what she's talking about at the moment (Virgil is mentioned the most). My mouth watered reading about the food they cooked and ate there in Italy. At least once in my life, I need to eat at a dinner party in Italy, surrounded by friends, conversation, laughter, and delicious food. She also talks about the churches, architecture, history, art, etc. of the places she and Ed visited there. It made me long to go back to Tuscany, and while I only lived there a month, I feel like she really captured its essence and light. The book also includes some recipes! Highly recommended, and guaranteed to inspire both wanderlust and hunger. 4.5/5 stars because I didn't want it to end lol
Trigger warnings: corpses of human and animals described, death, car accident(s), sex mentions, some Ugly Americanism, lots and lots of food and cooking talk 
 
 
The last book I read in December was The Reading Life: The Joy of Seeing New Worlds Through Others' Eyes by C.S. Lewis, which is a compilation of things CSL wrote about reading and books. I had wanted it for ages and asked for it for Christmas. It was a fairly quick and enjoyable read, as of course I love CSL and books and reading. It made me want to read his books again. Highly recommended if you're a CSL fan and/or love books about reading. I cannot think of any trigger warnings, although he is scornful of people who only read "the right" and "modern" things (aka nonintellectuals). That does come off as a bit classist. All in all, I really enjoyed this book and am glad I asked for it for Christmas. 4.5/5 stars


I also reread Christmas with Anne, as I do every holiday season.

Monday, July 16, 2018

Book review: The Passion by Jeanette Winterson

The only book I read in June was The Passion by Jeanette Winterson. I picked it up because it sounded interesting. It's set during the Napoleonic wars, aka Regency times, and part of the book takes place in Venice, which I love and have been to. It also sounded kind of mysterious and magical. Here is the summary, from both the back of this book and Amazon:

Set during the tumultuous years of the Napoleonic Wars, The Passion intertwines the destinies of two remarkable people: Henri, a simple French soldier, who follows Napoleon from glory to Russian ruin; and Villanelle, the red-haired, web-footed daughter of a Venetian boatman, whose husband has gambled away her heart. In Venice’s compound of carnival, chance, and darkness, the pair meet their singular destiny.

Right off the bat, I can tell you that I don't like this summary. Whoever wrote it did not read the book that thoroughly. The most glaring example is that the summary says that Villanelle's husband gambled away her heart. This is not true: he gambled away her body. Because he lost at cards, the husband had to give Villanelle to his opponent to work as a "comfort woman" to Napoleon's troops. That is how she and Henri meet. Also, I don't think it's right to give away that Villanelle has webbed feet in the summary, when the book itself is very secretive about it. It gives away the surprise reveal in the last part of the book. The summary makes it sound like Henri and Villanelle meet by chance in Venice. They actually meet in Russia when both decide to run away from the doomed military enterprise (Russia in winter? Does no one ever think?), and Villanelle takes Henri to Venice to hide from Napoleon's men.

As you will have guessed, this book does not shy away from the ugliness of life or war. There was a lot of horrible stuff mentioned, and while I will not list it all, I would apply trigger warnings for explicit sexual scenarios (including non-consensual), forced prostitution, a mention of gang rape, murder, blood, gore, violence, mentions of abandoned feral children, starvation, animal death, and that's all I can think of right now. 

While I liked Henri and Villanelle individually, I don't think I really liked them together as a couple. Villanelle can do so much better than Henri, and she doesn't even feel that way towards him. I am tired of reading/seeing couple pairings that happen just because the guy is in love with the girl. I was also displeased at the ending. After all that suffering and misery, there is no happy ending for the two of them. Villanelle refuses to marry Henri (despite having a child with him) and he goes mad in an insane asylum. Like what? Why? 

However, this was really good and rather beautifully written. If you can stomach all of the ugliness listed above and like the historical setting and topics, I would recommend this book. I liked the Venice setting and events and magical fantasy stuff, such as Villanelle literally losing her heart to a married woman and Henri having to find it before Villanelle is held in thrall. The summary writer probably got this part of the book confused with Villanelle's husband's gambling problem. I also love Villanelle's name; it is a poetic form I learned about in college. (Parents, do not get any ideas.)

The above cover is the one my copy has, and it's ok. Obviously the cards are due to Villanelle's job before she's gambled away, and the mask is because it takes place in Venice. I don't think I've ever seen a book with the author's picture on the front (apart from important literary people like C.S. Lewis). I didn't realize this when I bought the book, but Jeanette Winterson is an important lesbian/LGBT+  writer. I'm not a huge fan of the cover art, but all the other covers were just as bad if not worse. A lot of them featured chickens since Henri works plucking and preparing chickens for Napoleon and apparently the artists only read up to that point in the book.


Score: 4 out of 5 stars
Read in: early June
From: the thrift store
Format: paperback
Status: idk I might give it away at some point

Monday, March 9, 2015

Book review: The Second Mrs. Giaconda by E.L. Konigsburg

[Spoilers throughout because this is an old story about an older event and I don't care]

E.L. Konigsburg is the author of From the Mixed Up Files of Mrs. Basil E. Frankenweiler (I think that's the title; I'm not bothering to look up the spelling), which I love. I've read a couple of her other books and really like her voice/writing style. I was excited about this one because it's her take on why a thieving apprentice might have been important to Leonardo da Vinci and why LdV might have painted an unknown merchant's second wife when he had all the big names in Italy begging him for a portrait.

Clearly she loves the Italian Renaissance era and finds it fascinating, as this is the second (as far as I know) of her books that deals with a secret behind a beautiful artwork by a teenage mutant ninja turtle  Master from that genre/era. However, I was disappointed in this book. The premise was interesting, and while I feel that the idea that Salai (the aforementioned apprentice) was Leonardo's foil and basically allowed him to be carefree and daring vicariously through him, as well as Salai being in love with the duchess, had a lot of promise, ELK basically did nothing with these ideas. There was a lot of description and scenebuilding, everything that ELK is good at, but there was no plot. No one really had anything to lose (although the duchess dies and it's sad because everyone liked her and she's the sole rounded female character). There were no stakes. No one really changed much at the end of the novel. It just was kind of dissatisfying.

Salai as the protagonist is almost entirely unlikeable. He has no moral scruples whatsoever and is completely baldfaced about it, with no negative repercussions to anything he does. The tone of the book didn't match with Salai's tone and vocabulary, which was weirdly slangy in a 20th century way. Despite the title, the subject of the Mona Lisa literally enters the book about three pages from the end. According to this book, Leonardo painted the portrait of this second wife of a nobody merchant because Salai saw that she was basically who the duchess would have been had she lived, and he talked Leonardo into doing it. Yep. Freaking Salai. I don't hate this book, but I feel annoyed that ELK didn't turn it into what it could have been. This could have been really something. It's like you had all the necessary ingredients to make a really good cake, but instead you have a weird flat boring doughy substance that is edible and not that bad but it makes you mad because you could've had delicious cake! 3/5 stars probably

Thursday, November 1, 2012

Michelangelo's paintings on the Sistine Chapel ceiling


On this day, November 1, 1512, Pope Julius II unveiled Michelangelo Buonarroti's frescoes on the ceiling of the Sistine Chapel in Rome for the first time. It took Michelangelo four years to paint them, and he hated it. He wrote this poem about it, which I love because it's one long complaint:

To Giovanni da Pistoia
"When the Author Was Painting the Vault of the Sistine Chapel"

I've already grown a goiter from this torture,
hunched up here like a cat in Lombardy
(or anywhere else where the stagnant water's poison).
My stomach's squashed under my chin, my beard's
pointing at heaven, my brain's crushed in a casket,
my breast twists like a harpy's. My brush,
above me all the time, dribbles paint
so my face makes a fine floor for droppings!
My haunches are grinding into my guts,
my poor ass strains to work as a counterweight,
every gesture I make is blind and aimless.
My skin hangs loose below me, my spine's
all knotted from folding over itself.
I'm bent taut as a Syrian bow.
Because I'm stuck like this, my thoughts
are crazy, perfidious tripe:
anyone shoots badly through a crooked blowpipe.
My painting is dead.
Defend it for me, Giovanni, protect my honor.
I am not in the right place—I am not a painter.

Not a painter! I love him. I went to the Sistine Chapel when I was in Italy, and it was glorious. Absolutely gorgeous and breathtaking. I'm sad he was forced to do it and that he suffered, but I think it was worth it because of the beautiful legacy he left to the world. Think of all the people who have been uplifted by its beauty.

You can read all of Michelangelo's poems here
The text of the poem is from this Slate article, which is excellent and you should totally read it
Image source
History info is from The Writer's Almanac's enewsletter for today

Thursday, July 26, 2012

The Poet Visits the Museum of Fine Arts

For a long time
     I was not even
        in this world, yet
           every summer

every rose
     opened in perfect sweetness
        and lived
           in gracious repose,

in its own exotic fragrance,
     in its huge willingness to give
        something, from its small self,
           to the entirety of the world.

I think of them, thousands upon thousands,
     in many lands,
        whenever summer came to them,
           rising

out of the patience of patience,
     to leaf and bud and look up
        into the blue sky
           or, with thanks,

into the rain
     that would feed
        their thirsty roots
           latched into the earth—

sandy or hard, Vermont or Arabia,
     what did it matter,
        the answer was simply to rise
           in joyfulness, all their days.

Have I found any better teaching?
     Not ever, not yet.
        Last week I saw my first Botticelli
           and almost fainted,

and if I could I would paint like that
     but am shelved somewhere below, with a few songs
        about roses: teachers, also, of the ways
           toward thanks, and praise.

 ~Mary Oliver

We went to the Uffizi museum today and I saw Botticelli paintings in person. It was lovely. I've been saving this poem for that.

Tuesday, July 10, 2012

Sono in Italia (I am in Italy)

I'm too lazy/busy to blog regularly about what I'm doing, but I'll occasionally post stuff under the tag "adventures in Italy."