Sunday, September 14, 2025

ARC Book Review: Cleaning Spells Before Courtship by Sarah Wallace and S.O. Callahan

The authors put out a call for ARC (advanced reader copy) readers for their upcoming book earlier this month, and I jumped at the chance. I was chosen to receive a digital ARC (the first 100 to sign up got accepted), which is so exciting and makes me feel like a real bookstagrammer/book blogger! 🀩

Official book summary:

To look at someone and to truly see them were entirely different.

Summer 1814: Moody fae Sage Ravenwing is on his way to the country estate of Wyndham and Roger Wrenwhistle - and very confused as to why he was even invited.

Still pining after Wyndham and nursing a grudge against Roger, Sage reluctantly joins the raucous house party, which soon adds a mysterious guest to their number.

Conrad Moore has come a long way from the docks of Bristol. Armed with a humble education, middling magical skill, and a great deal of audacity, he journeys to the Wrenwhistle estate to inquire about the open position on the Council.

Thrown together in the only remaining available room, the surly fae and cheerful human establish a tentative acquaintanceship. As they learn surprising lessons from each other - riding, swimming, and mending a broken heart - a tender friendship blooms and an explosive magical connection forms.

But just as Sage starts to yearn for a new future with Conrad, he discovers that the hardest lesson of all will lie in atoning for his mistakes and scrubbing his messy past clean.

The Fae & Human Relations series is one where you absolutely have to read every book in order, as each one builds on the one that came before. Cleaning Spells Before Courtship is the fourth and last book in the series (😭), but its establishing events took place in the first book. Sage and Wyn were fuck buddies, but Sage was in love with Wyn (without Wyn knowing) and took Wyn and Roger's whirlwind romance really badly (leading to the "light stalking by an ex" in my review's trigger warnings list for BSaBG). Sage said some really mean things to Roger and Wyn told Sage that unless he apologized to Roger, they wouldn't be in each other's lives anymore. I'm going off of what was recapped in the book, because it's been a while since I read the first one and I've kind of already forgotten  what went down between Sage and Roger. In the second and third books of the FaHR series, Sage is randomly mentioned in the Torquil Tribune gossip paper as having attended parties and events and sneaked off with various random men, which gives him a reputation. From these brief mentions, it was obvious that Sage was trying to make Wyn jealous and get over him, and I was sad for him and hoped that he would find happiness and love, so I was glad to see that this book is just that.
 
Anyway, Roger invites Sage to his and Wyn's country estate, ostensibly for a weeks-long house party they're having with their friends, but mostly so Sage can help Roger plan Wyn's surprise 30th birthday party and hopefully reconcile with him. The reason Roger gives for this is because if Wyn saw/knew Roger meeting one on one with one of their friends, Wyn would suspect Roger of planning a surprise party for his birthday. I understand Roger wanting his husband to reconcile with one of his oldest ex-friends, but asking the man who is still heartbroken and pining after Wyn to plan his birthday party is kind of callous. Sage reluctantly accepts. 
 
The house party consists mostly of Roger's friends that we met in book one and then kind of never spent time with again, apart from mentions in the gossip column (understandably, since the romantic leads in books two and three didn't know them). Speaking of, Torquil and Emrys and Silas and Keelan are part of the party too, and the friends are all having a great time... while Sage watches from the sidelines. Luckily he doesn't have to be the sole single person for long, because Conrad Moore arrives. 
 
Conrad is a dockworker who learned about the open position in the Council for Fae and Human Relations (which Wyn, Roger, Torquil, and I think Silas are all on), and decided to travel to meet with Roger and Wyn to hopefully be allowed to interview for the position. Like, he doesn't know anyone, doesn't write a letter of introduction, just shows up. Pretty ballsy. He's a friendly and eager to please person, and Roger and Wyn are nice, so they invite him to stay with them and join their house party, only, wouldn't you know it? All of their rooms are filled up, so he'll just have to room with Sage. What a surprising coinkidink. You'll be shocked, just shocked, to learn that there's only one bed!!! Sage is pissed at this turn of events, then pleasantly surprised to see that Conrad is hot and ripped, then pissed again as his hints to hook up just go winging over Conrad's smiling head. 
 
The couples (and one throuple) at the house party start to do the whole wink-wink, nudge-nudge, jokey-jokey thing at the two of them, so Conrad and Sage decide to fake-date to get them off their backs. I think you can gather what happens after this decision is made. 
 
Besides the couple machinations and Roger and Conrad doing magic, this book consists of the friends just hanging out, eating, and having fun together. It was a nice change from the last book, which was all "working on magic at & for the Council" and stressful due to Keelan's unwanted engagement. It was sweet to see how our two leads become close and fall in love, with Sage learning to trust and be vulnerable and Conrad enjoying taking care of and protecting Sage. Sage also slowly befriends everyone and apologizes to Roger (hopefully that's not a spoiler since "atoning for his mistakes" is in the summary). 
 
I'm sad the series is over, but I've really enjoyed visiting this world and cheering on its couples. I highly recommend this series to anyone who likes Regency romances and queer love stories. Cleaning Spells Before Courtship comes out on October 4.
 

Score: ★★★★.5 out of 5 stars
Spice score: 🌢🌢

Read in: September 12
From: digital ARC

Genres/classification: romantasy, cozy fantasy, Regency romance

Representation: gay MMC who is a man of color, asexual MMC, 2 nonbinary side characters who use they/them pronouns, a side sapphic character who is masc/butch (wears men's clothes), 1 poly triad, queernorm and racially diverse society with lots of queer side and minor characters, Roger has anxiety

Spoilers past this point

Tropes: close proximity, and they were roommates, only one bed, waking up wrapped around each other, rich x poor, grumpy x sunshine, morning person x night person, height difference (smol & tol), fake dating, they already think we're dating/fucking so we may as well pretend, catching real feelings while fake dating, found family

Trigger warnings: a character had hookups to feel wanted/avoid negative emotions and was not treated with respect (past), a character struggles with low self-esteem and feeling unwanted, unrequited love, past sex-shaming, food instability mentions, poverty mentions, amatonormativity

Wednesday, September 10, 2025

Book Review: Shade Spells with Strangers by Sarah Wallace and S.O. Callahan

London, 1814: hopelessly romantic fae Keelan Cricket has grown listless since returning to town. He agrees to help the Council study fae-human magic, eager to erase the memory of his passionate encounter in the country.

But the man he can't forget is now in London and, even worse, joining the project too.

Silas Rook-Worth hates London. His magic won't behave and he's weary of the prejudice he faces against fae-humans like himself. He's counting down the days until he can return to his hard-working, close-knit family — but he can't ignore the pull he feels toward Keelan Cricket, the man he slept with, and unkindly dismissed, a month ago.

As the two men gradually reunite, their mutual attraction blossoms into romance. But even a powerful magical connection cannot change Keelan's duty to his family or Silas' impending departure — and falling in love on borrowed time will force both of them to decide what truly matters.

I bought the third book in this series because I was chosen to receive an ARC of the fourth!!! Like the previous book, you do have to read every book in this series in order or you won't get what's going on. 

At Emrys and Torquil's wedding (the couple from book #2), a buff handsome workman, Silas, catches the eye of Emrys' best friend Keelan (a gentleman), and they hook up during the reception party. They part ways but can't stop thinking about each other. Silas is one of the fae-humans who writes to Torquil about his magic, and Torquil invites him and several other fae-humans to London to have their magic tested by the rubric Torquil et al. drew up in book #2. Obviously Keelan (a fae) is asked by his friends to help do the testing, and they meet again. It's super awkward but they're just drawn to each other, feel each other's presence in the room like a magnet, etc.

However, Keelan's mother (who is on the Council) sets him up with one of the fae-humans doing the rubric testing, a selfish and controlling rich girl from a good family who just wants a stupid arm-candy husband. Neither Keelan's mom nor the awful girl care if Keelan wants the marriage to happen or not, and both ignore or are oblivious to how he's suffering and how mean the girl is to him even though it's obvious to literally everyone else who sees them interact. I  couldn't believe that Keelan wasn't willing to stand up for himself and tell his mom and the girl that he didn't want to marry her. He was just waiting for someone else to save him from the marriage! Like I get that Keelan has a gentle personality, but the man is in his thirties. Stand up for yourself!

Luckily all is resolved, even the stupid third-act breakup that happened for no reason. There is an interesting lack of meddling in this book; it's mostly just Emrys and Wyn's grandma and Torquil's grandma making pointed comments to Silas about his 'secret' relationship with Keelan. That's practically nothing, compared to the first two.

Overall, I enjoyed this book a lot even if I thought Keelan was a doormat. This is a fun world to live in for a bit. 

Score: ★★★ out of 5 stars
Spice score: 🌢🌢/🌢

Read in: September 4
From: B&N Nook

Genres/classification: romantasy, cozy fantasy, Regency romance

Representation: bi MMC, gay Black MMC, 2 nonbinary side characters who use they/them pronouns, queernorm and racially diverse society with lots of queer side and minor characters, I'm pretty sure Keelan's dad is autistic

Spoilers past this point

Tropes: initially rude love interest, that hookup you can't forget, they keep staring/trying not to stare at each other from across the room, I'm engaged to another but in love with you, let's make the most of it (sexually) until I have to get married, arranged engagement to horrible controlling person, we can never be together because we're from different social classes/standings, forbidden romance, rich x poor, secret couple think they're hiding their secret relationship/feelings successfully but their loved ones suspect something/become aware/totally know

Trigger warnings: controlling and emotionally neglectful parent, verbally abusive and controlling girlfriend/fiancee, a character is forced into an arranged marriage engagement without his consent, racism/speciesism against fae-humans, classism, mentions of working-class family struggling financially

Tuesday, September 9, 2025

Flash book reviews for the last three months

 I am soooo behind on book reviews ugh. Comment or DM me for trigger warnings and more info.

 

The Secret Lives of Country Gentlemen - K.J. Charles is an insta-buy author for me, so I snapped up this ebook when it went on sale. This is a Regency historical romance with plenty of action and suspense, and I couldn't put it down. A baron who recently inherited his title and estate in Kent learns that the local smuggler chief was his anonymous hookup back in London. There's a lot of friction between them as they parted on bad terms, and the baron almost testifies that he saw the smuggler chief's sister smuggling, but they can't stay away from each other. They go on cute bug-finding dates in the marsh and have to team up to save each other's families from bad men. While not related to KJC's other regency romance series, the theme of healing from childhood trauma is also present. I thought it was interesting that the smuggler chief's grandpa was a formerly enslaved man from the US.  ★★★★  🌢🌢🌢


Get a Life, Chloe Brown by Talia Hibberts - I've had this author's books on my mental to-read list for a while since a lot of bookstagrammers said they were really good. Despite my initial surprise that the book is set in England and consequently all of the characters are English, I was sucked in and devoured this book.  Chloe goes through a near-death experience (a car almost hits her on her hot girl walk) and she consequently decides to change up her whole life, since when it flashed before her eyes, it was really boring. She makes a list of things to do, like camping and 'meaningless but thoroughly enjoyable sex'. After her apartment building's hot super, Red, helps her get out of a tree while rescuing a cat, she enlists him to help her go through her list πŸ‘€ He's down bad for her so he agrees. Chloe is chronically ill, hence not having done many things in her life, and Red has trauma from his last rich upper-class girlfriend (which Chloe is, uh-oh) being horrible and classist to him. I can't remember the last time I enjoyed a romance novel this much! This is definitely a kicking-your-feet-and-giggling book, but with a good amount of depth. I need to read the rest of the books in this series, which are about Chloe's sisters. ★★★★.5  🌢🌢🌢

 

I reread How to Keep House While Drowning since, well, guess. It's just as good and helpful as ever. I last flash-reviewed it here


I also reread The Secret Diary of Lizzie Bennet by Bernie Su and Kate Rorick since I rewatched the webseries for the first time in a decade. If you haven't seen it, I highly recommend it! The webseries (really a transmedia series, as the characters also tweeted and used various social media to add to the story) is a really fun modern retelling of Pride & Prejudice. This book is the book version of that webseries, as Lizzie's actual diary, and it goes through the same stories as the webseries, with more behind-the-scenes stuff that didn't make it into the YouTube videos. For instance, Lizzie's tour of San Francisco with William and Gigi Darcy is described. It's such a great retelling that left me with a warm and fuzzy feeling, but I suspect someone who's never seen the TSDoLB webseries wouldn't be getting the same story out of it. I still recommend it, though. ★★★★


Queerly Beloved by Susie Dumond - I got this book from the thrift store. It's set in Oklahoma in 2013 (aka before gay marriage equality). Amy is a lesbian and a baker who is in the closet at her Christian baker job. Somebody outs her and she gets fired, so she starts working as a bridesmaid-for-hire since she loves wedding romcoms and is great at problem-solving. She also meets this cute lesbian engineer, Charley, but their dates are really sporadic due to Charley's demanding job, and Amy isn't sure where they stand. There's also friend drama and ex drama, and Amy struggles with her people-pleasing tendencies, being closeted at one job while bartending at the queer bar as her second job, and being true to herself. This book was not as fluffy as it looked, and there is tension with Amy having to go through lots of straight wedding drama while being unable to marry herself (hang in there Amy! 2015 is so close!). I really enjoyed this book and would recommend it. ★★★★  🌢🌢


Women's Hotel by Daniel M. Lavery

I bought this during Barnes & Noble's half-off sale since I had a giftcard. Here's the summary; this book is about the residents of a women's hotel, the Biedermeier, in New York in the 1960s. There's not much plot, and the chapters are loosely connected. Lavery has that retro chatty informative tone down perfectly, and he's an excellent writer. While I enjoyed this, a lot of the women's stories were anywhere from a little to very sad, and the last story is rather horrible (the epilogue softens it). I'd recommend this to anyone who likes reading slice of life stories, mid-twentieth-century books, and how New York was in the past. I'll give this away due to lack of shelf space. ★★★★

Friday, July 25, 2025

Book Review: Murder By Memory by Olivia Waite

A mind is a terrible thing to erase...

Welcome to the HMS Fairweather, Her Majesty's most luxurious interstellar passenger liner! Room and board are included, new bodies are graciously provided upon request, and should you desire a rest between lifetimes, your mind shall be most carefully preserved in glass in the Library, shielded from every danger.

Near the topmost deck of an interstellar generation ship, Dorothy Gentleman wakes up in a body that isn’t hers—just as someone else is found murdered. As one of the ship’s detectives, Dorothy usually delights in unraveling the schemes on board the Fairweather, but when she finds that someone is not only killing bodies but purposefully deleting minds from the Library, she realizes something even more sinister is afoot.

Dorothy suspects her misfortune is partly the fault of her feckless nephew Ruthie who, despite his brilliance as a programmer, leaves chaos in his cheerful wake. Or perhaps the sultry yarn store proprietor—and ex-girlfriend of the [person whose] body Dorothy is currently inhabiting—knows more than she’s letting on. Whatever it is, Dorothy intends to solve this case. Because someone has done the impossible and found a way to make murder on the Fairweather a very permanent state indeed. A mastermind may be at work—and if so, they’ve had three hundred years to perfect their schemes...

I discovered this book on Libby while looking through their Pride Month featured books. It sounded fascinating, so I joined the holds list and read it when it became available. 

Listen: this book is so freaking good! You already know I love mysteries, especially cozy and/or classic British mysteries, and this book is just that, only with a futuristic sci-fi setting. We're on a generation ship going from Earth to some far-off distant planet that humanity will live on several hundred years from now. They've figured out how to store people's consciousnesses or minds in "books", like documents in a hard drive, and you can just get a new body when your current one gets old and is no longer up to living. Consequently, everyone on the generation ship is functionally immortal. The generation ship is huge and high-tech, with lots of residential neighborhoods and businesses that people can run as they are interested; capitalism is no more, although there is mention of "posh" apartment complexes, so it sounds like there's still a little income inequality and class differences for some reason. The "Her Majesty's ship" thing makes me think this ship is English, which would I guess provide a reason for that, plus the whole "we're going to find a new planet to live on" which is colonization in a sci-fi way.

I was a bit confused at first, as the book just throws you into what is happening (Dorothy waking up in someone else's body), but that's actually perfect because Dorothy is confused as to what has happened to her, and it makes you feel her confusion. Dorothy has been offline for many years, her consciousness preserved in her "book". Unbeknownst to Dorothy, her nephew Ruthie (very Bertie Wooster-ish, if Bertie was also a software & mechanical engineering genius) wrote a program into the ship's computer that any ship's detective (which Dorothy is) whose book is destroyed gets their consciousness immediately put into the nearest available body. The thing is? Somebody was murdered right before this happened, and the murderer may have been the person whose body Dorothy is in... The chatty ship's computer is offline due to an electrical storm, so Dorothy has to figure out what's going on without any help or her detective status to get her places. Dorothy herself is one of those very practical British aunts who solve mysteries and knits, and she's queer! She's attracted to her accidental host's lovely ex-girlfriend (a fellow knitter who owns a yarn shop), but the ex-girlfriend hates her (ex's) guts and may have had something to do with the murder...

I'm going to stop there as I don't want to spoil it for you, but I really enjoyed this book and wished it was longer! The worldbuilding was very interesting, and I thought it was fascinating how they drank beverages that let them experience memories (a summer rainstorm, for example). I naturally loved the Library, where all the consciousness books are kept. There were lots of little mentions/analyses of human nature, and we meet interesting characters I hope we get to know better in future books (this is the first of a series). I cannot wait for future books!

Score: ★★★.5 out of 5 stars (half star off for being too short lol)
Spice score: 1 instance of sexual attraction but otherwise zero

Read in: June 20
From: my public library - borrowed via Libby, read in the Kindle app

Genres/classification: mystery, science fiction, futuristic sci-fi, classic British mystery a la Agatha Christie (especially with the aunt element)

Representation: sapphic/wlw (possibly lesbian) main character, several sapphic secondary characters, several canon sapphic couples, gay couple, 1 queer male character of color (Asian, I think), 1 Black woman minor character. As this is a near-utopian future there is no homophobia or transphobia or racism

Trigger warnings: murder, drowning death, toxic relationship where one partner is constantly lying to and manipulating the other (possibly cheating as well), putting someone's mind/consciousness into someone else's body without the consent of either party, financial fraud, distrust of police mention

Tuesday, July 8, 2025

Book Review: The Honey Witch by Sydney J. Shields

Twenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who've tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch.

When Lottie Burke, a notoriously grumpy skeptic who doesn't believe in magic, shows up on her doorstep, Marigold can't resist the challenge to prove to her that magic is real. But soon, Marigold begins to care for Lottie in ways she never expected. And when darker magic awakens and threatens to destroy her home, she must fight for much more than her new home--at the risk of losing her magic and her heart.


I was able to read this ebook by borrowing it from my public library via Libby, and read it in the Kindle app since that's how Libby works. I'm always here for queer cozy romantasy, and was excited to read this. Overall, I'd describe this book as Chalice by Robin McKinley meets Bridgerton, but gayer. I'd recommend Chalice to people who enjoyed the honey magic and cottagecore stuff of this book, although its romance is heterosexual. 

The good: Shields writes beautifully most of the time, and I really enjoyed the Claudes' slice of life stuff, the cottagecore vibes, the lovely setting with the plants and bees, the magic, and the fact that it's gay. The yearning and chemistry between Marigold and Lottie is good, even if both are really slow to cotton on as to why they feel the way they do about the other girl. I liked the relationships between Marigold and her family (apart from her mother) and the friendships as well.

We're told this book is set in the 1830s, and the Isle of Innisfree is a real place (though uninhabited if Wikipedia is correct), but since the early Victorian norms are only vaguely held, and the fashion and hairstyles don't seem to add up (we're told Marigold's ballgown is huge and poofy, which would not have been the case in our 1830s, and that her hair was pulled back super tightly from her face, which ditto), then I don't see the point in giving the book a time setting if you're going to ignore the conventions and just go off vibes. This just confused me, especially since sometimes the language used is jarringly modern. People say "okay" and stuff. We're also told a lot, rather than being shown. Marigold has a lot of beliefs and sayings that she holds and says without telling us why or how she knows/believes them. 

I also got annoyed at the repetitiveness throughout the book. Marigold laments that she'll never be able to fall in love and have a partner because of the curse her family is under what felt like thousands of times, which, we get it. It's especially annoying because you just know what's going to happen. 

Stuff I want to complain about that is spoilery (highlight to read): the thing with tattoos that kind of goes nowhere. Like sure, having Lottie tattoo Mari with her clothes off is super sexual tension-y, but if there's such a huge taboo against tattoos then why would Mari get tattoos and let Lottie get into a situation where someone would see her tattoos and blackmail her for them? Marigold was able to resolve that by magically erasing the blackmailer's memory, but like. What was the point.
re: the anachronisms that were jarringly modern to me: I cannot believe that people in the Victorian era went around saying "good girl" to each other in bed. I just refuse to believe it, and it took me out of the book to read that. 
Also the whole "cursed to never fall in love" thing, but Marigold still falls in love with Lottie, and it's obvious that Lottie falls in love with her too. Although supposedly Lottie couldn't feel it until the curse was broken, but their connection felt like more than lust to me, so then what was the difference? My denseness and borderline-aromanticism rear their heads again. The girls screaming in pain for each other during the third-act breakup also seemed really dramatic to me. Per usual in these things, Marigold's reason for breaking up with Lottie made no sense. 
It was super obvious to me who Lottie was going to turn out to be: the evil ash witch's granddaughter. Not to be constantly comparing Chalice to The Honey Witch, but the romance in that book is also between a honey-magic-user and a fire-magic-user.  Once Marigold saw that something (obviously her good magic's evil counterpart) was turning the isle's magical guardians evil, the first thing she should have thought to do was check the magical honey wards around the island and see if any of them had been removed, but she didn't think to do that! Hello??? What a stupid way to lose against an evil enemy. I was really sad that the cottage and its library burned down, and that so many bees died. :( Overall the magical battle was too uneven and catastrophic for my liking. The first 3/4ths of the book is so cozy and sweet and slow-paced, so the violent heartbreaking climax is jarring to read after that, rather atonal. We're told (telling again) that Marigold is a powerful honey witch, yet she's no match for the immortal ash witch. It made no sense to me that the evil ash witch was destroyed by fire. Hello, she's an ash witch??? It would have made more sense to draw her out of the house then drown her in the river. But whatever, we get a happy ending for the girls.
Quick last complaint: Marigold's best friend and her little brother are soulmates, but they're 22? and 18 so I felt a bit uncomfy at the age gap. 

Overall, I guess I did mostly like this book despite everything I've complained about above, and would recommend it to anyone interested in sapphic cottagecore cozy romantasy with spice and dramatic stakes. Check it out from the library though. 

Score: ★★★.5 out of 5 stars (Blogger, return to me the half star special character! 😠)
Spice score: πŸŒΆ
🌢/🌢 
Read in: June 11
From: my public library - borrowed via Libby, read in Kindle app

Spoilers past this point

Tropes: forbidden romance, star-crossed lovers, "we can never be together" stuff, grumpy x sunshine, character who can never fall in love does so anyway, character with a family x orphan, only one bed, third act breakup, a character has mysterious origins that turn out to be very important to the plot, characters don't recognize that they're into each other leading to this song from Wicked, enemies to lovers in a way, that Romeo & Juliet thing where their families are historical enemies but the kids from those families fall in love

Representation: bisexual/pansexual fmc and lesbian (I think) fmc in sapphic relationship, side mlm/achillean couple (one of which is also bi I think), queernorm society, I don't remember if everyone is white (British isles) or if it's also a race-blind society

Trigger warnings: murder, death, a child is burned severely all over her body (past), gore, magical degloving injury leading to lots of blood, violence, kidnapping, a character is imprisoned and starved, manipulation, memory loss (both magical and trauma-related), orphaned character with trauma, bees death, controlling parent who withholds information (out of fear rather than just sucking)

Thursday, June 12, 2025

How I organize my own books

my library wall. It's been reorganized a bit since then

It's been a really long time since I've written about my own library and the way I organize my books. (I feel like I must have written about my books and the way I organize them more recently than that, but I can't find any other posts on this blog.) I currently have 3 full-sized bookcases, 1 small bookcase, one 8-cube organizer, one spine bookshelf, and a couple of random book stacks scattered around my house. For the most part, my books are organized by genre, with some organized by author within the genre (but not always). For instance, I have my Alice, Peter Pan, and Milne books next to each other because they're all childhood favorites. The fantasy authors are grouped together. Each shelf has knickknacks that are the same theme as the books (i.e. Jane Austen stuff with my JA books), with my rainbow bookshelves having non-themed (but mostly bookish) knickknacks in rainbow order (red knickknacks in front of the red books, etc.). 

My three matching tall bookcases hold most of my library. My dad bought them for my siblings and me when we were kids; I had one, my sister had one, and my brothers shared one. Now they're mine. I have them together to form a library wall, and I love it. It's a great place to take pictures for my bookstagram. I know shelving one's books by (spine) color is controversial, but I love the way it looks so much that I don't care. Obviously I could have more than one (3/5th) rainbow bookcase, but I prefer keeping books in my genre and author categories more; it would kill me to split up my C.S. Lewis books, for instance. The books are organized as follows:

Left bookcase:

  • top shelf: C.S. Lewis books (by and about) and both my The Hobbit copies
  • 2nd shelf: Narnia books. The TCON series I've collected plus books about the Narnia books and movies
  • 3rd shelf: Jane Austen books (by and about). Some of the bigger/solid color JA retellings. 
  • 4th shelf: unicorn books, George Macdonald books, random fantasy books, Terry Pratchett books, my sole remaining Ga*man book (my 2 Good Omens copies are the bridge).  
  • bottom shelf: various large books, a stack of bookish fiction books whose spines look like vintage books, 2 overlapping stacks of fiction and nonfiction books (mostly fiction). 

Center bookcase:

  • 1st-3rd shelves: books in rainbow order (ROYGABPP each shelf)
  • 4th shelf: Fairytales and fantasy books, 1 book stack
  • bottom shelf: picture books, The Wizard of Oz books, thick books, memoirs & biographies, 1 book stack

Right bookcase: 

  • top shelf: library and bookish books in rainbow order
  • 2nd shelf: more bookish and Jane Austen books, roughly in rainbow order as their spine colors allow (most have multicolored spines)
  • 3rd shelf: Alice in Wonderland books, Peter Pan books, A.A. Milne books, Eoin Colfer books
  • 4th shelf: comics (Calvin & Hobbes, Garfield, The Far Side, Hark! A Vagrant, Introvert Doodles), Sylvia Plath, more bookish/literary books, a random fiction book stack
  • bottom shelf: large books (including Wonder Woman books), The Hitchhiker's Guide to the Galaxy books, Susanna Clarke books, stack of linguistics/grammar/punctuation books

I recently moved my small white bookcase to be closer to my library wall, and consequently reorganized the books. 

  • top shelf: overflow fiction, Kate DiCamillo books, introvert books, themed/guided journals
  • middle shelf: Hispanic & Latine books, mostly fiction with some nonfiction
  • bottom shelf: Bibles, Christian & SDA books

My 8-cube organizer/bookcase pulls triple duty as it holds books and media (DVDs plus some of my remaining CDs), and acts as my television stand. As each cube is a foot wide, I have DVDs and books in one side, and books on the other. This means the books in this organizer are generally on the smaller size so I can fit both back to back. 

  • Inside top row: DVDs (movies & TV sets), my DVD player, CDs
  • Inside bottom row:
    • Leftmost cube: P.G. Wodehouse books, Dorothy L. Sayers mysteries
    • 2nd from left cube: Sherlock Holmes books, 2 different unrelated book duos
    • 2nd from right cube: L.M. Montgomery books (Anne of Green Gables books and others)
    • Rightmost cube: E. Nesbit books, Edward Eager magic books, Mrs. Piggle-Wiggle books, another children's book duo
  • Outside top row:
    • Leftmost cube: Patricia A. McKillip books, Patricia C. Wrede books, The Princess Bride paperback copies (my deluxe copy is with the other big books in the right tall bookcase)
    • 2nd from right cube: animal books, including Redwall and Watership Down 
    • 2nd from left cube: small poetry and bookish books
    • Rightmost cube: Jane Austen books (multicolored spines)
  • Outside bottom row:
    • Rightmost cube: Ursula K. LeGuin, Tone Almhell, Rosamund Hedge, Robin McKinley books
    • 2nd from right cube: Diana Wynne Jones, Madeleine L’Engle, The Hazel Wood books
    • 2nd from left cube: BrontΓ«s and BrontΓ«-inspired books, random other book/s
    • Leftmost cube: dragon books, random book duo

My black metal spine bookshelf holds LGBTQA+ books, mostly in rainbow order except for the top shelf (all ace books in ace flag colors order) and the multicolored/black/white book spines books towards the bottom. 

I have most of my craft books (I may have one or two upstairs) in the bottom shelf of my corner shelves, which hold knickknacks. (Here's what my corner shelves look like. Holy shit that price?!?!?! I bought mine for like $10 at a thrift store lmao.) My teeny tiny mini books are in a tiny white plastic bookshelf on the top shelf. I may do a post on them later.

Book piles with no home: I have a stack of recently purchased picture books on one of my side tables that I keep meaning to read. I also have a pile of random books (mostly historical mysteries) I bought from my library's book sale last year that I've never cataloged or shelved; it's kind of under one of my chairs in the living area. I have a small stack of books I mean to give away or sell. 

I keep my Christmas books in the same place I keep my holiday decorations. My cookbooks (that I basically never use) live in the kitchen.

I know the 'in' thing to do nowadays is to just have a few spaced-out sections and stacks of books staggered on each shelf, accented with chic, modern objects d'art. To me this is a waste of shelf space; fill those puppies up! Artful shelves are for people who aren't book hoarders.

Thursday, June 5, 2025

Book Review: Fire Spells Between Friends by Sarah Wallace & S.O. Callahan

London, 1813—fae and humans alike are abuzz whenever Torquil's Tribune drops a juicy new tidbit. At the center of the gossip is handsome fae, Emrys Wrenwhistle, heir to his family's fortune. As speculation over his prospects grows, the search for a suitable spouse begins.

The trouble is, Emrys can't find anyone who measures up to the person he's been secretly seeing for years: the Tribune's witty society writer.

Torquil Pimpernel-Smith is accustomed to using the force of gossip to pull the strings of social influence. So when they are offered a position as the Council's first fae-human member, they readily accept.

However, their first project plunges Torquil into upper class circles rife with snobbery. Facing prejudice head-on is hard enough, without having to hide their true feelings for the eligible Emrys.

As the line of suitors starts to form, the Wrenwhistle family is intent on making a worthy match. Emrys and Torquil's passion burns perfectly in private, but navigating society together will determine if their love is a blaze—or in danger of being extinguished.

I adore Sarah Wallace's Meddle & Mend series and also really liked the first book in this series (despite my criticisms lol), so I snapped this ebook up when it went on sale. (I reread Breeze Spells and Bridegrooms first before reading this one, of course.) This book takes place right after the events of BS&Bg, so you do need to read it first as Roger & Wyn and their rubrics feature heavily in this book (yay!). Emrys is Wyn's older brother, and Torquil is the gossip columnist/editor who, in book 1, was like:

you know what would be hilarious? and posts that [Wyn & Roger] are engaged. They of course visit the editor to demand they retract the engagement announcement, but [Torquil is] like "no + deal with it + you two are cute together :)"

Poor Torquil, who is nonbinary and uses they/them pronouns, faces so much racism (speciesism?) because they're half fae, half human. They and their parents were shunned from society and disowned by Torquil's fae mother's rich and influential family; both the human and fae schools refused to accept them or test their magic, so they're basically without status or prospects in this magic-based society. My first paragraph in my BS&Bg review talks about this world a bit more and includes my thoughts. Torquil is poor and used to being alone and looked down on/discriminated against. 

By contrast, Emrys is the heir to his rich, influential elf family, one of the most eligible gentlemen in society, and wants for nothing... except that he can't put off his enterprising mama who will accept nothing but the best (aka rich and from a good family) spouse for her son, and keeps setting him up and making him go on dates even though he's less than enthusiastic. I was sort of surprised at Emrys having grudgingly-yet-long-accepted that his marriage would be arranged for him, instead of hoping to marry for love (I guess that's pretty common in this era). The way Torquil and Emrys meet (plus a short backstory for Torquil) is detailed in a short story (free if you sign up for the authors' email newsletters); basically they've been hooking up for years in a no-strings-attached to friends-with-benefits situationship. They both know they're from different social classes and financial situations, and that there's no way they could marry. 

Torquil is asked to join the Fae-Human Relations Council as its first fae-human member, and accepts in order to hopefully better things for themself and other fae-humans. However, they have to deal with prejudice from several council members and society folk, as being on the Council gets them invited to society events (Wyn's grandma gets them  the invites and makes them join society, much like she meddles in Wyn and Roger's lives). Roger and Wyn's new human and fae magic (respectively)-measuring rubrics are accepted, and it is decided a new rubric is needed for children like Torquil who have one fae parent and one human parent. Consequently, Torquil, Wyn, and Roger are entrusted to test out Torquil's magic and figure out a rubric that is both similar to the fae & human rubrics and that will work for the magic abilities of human-fae people. 

There's that classic SW "a character is cared for/given gifts against their will" thing, and that thing from book 1 about a newlyweds' wedding spell showing how much they're in love/compatible is expanded on in an ~interesting~ way. Much of this book takes place during December/Yule/Generic Winter Holiday That Is Definitely Not Christmas (Except It Totally Is) and would be perfect for a cozy winter/winter holidays read. I think I'll reread this in December for that reason. 

Some spoiler-y thoughts I want to talk about (highlight to read): I thought it was sad how Torquil's parents had zero qualms about buying Toquil the press and bouncing. They left them alone! :( I was so happy for Torquil when they got letters from other fae-humans like them, showing how they weren't the only one! I was shocked by that bombshell that Torquil's grandma actually didn't want to disown her daughter for marrying a working-class human but had to pretend to go along with it and wait until her husband/Torquil's grandfather died to publicly accept them as their family! Poor Torquil grew up thinking their grandmother hated them and wanted nothing to do with them.  I think it was wrong of Torquil's mom to keep that from her child; at least, she should have told them before she and Torquil's dad left for the continent. But at least they're not alone anymore, and being part of the rich and influential Pimpernel family means they can marry Emrys after all! We love to see an alone/unloved character end up with so much love and loved ones. However, I did find it kind of ridiculous that even after Torquil is publicly part of the Pimpernel family again, they and Emrys are still like "we can never be together" because of Emrys' social standing-obsessed mother. Hello? Torquil is a catch now that they're a Pimpernel officially. Get it together, kids. I'm a bit sad that Torquil had to give up their gossip newspaper, but at least it's in good hands. 

Overall, I really enjoyed this book and rooted for the two romantic leads to end up together. I'm looking forward to reading the next book in this series!

Score: ★★★★.5 out of 5 stars (Blogger, return to me the half star special character! 😠)
Spice score: 🌢
🌢 
Read in: May 14
From: B&N Nook

Everything from this point on is spoilery 

Tropes: forbidden romance, "society would never accept our love", rich x poor, outcast x rich/famous/society darling etc., proud poor character who won't accept gifts/money from their rich lover, catching feelings during what is supposed to be a sex-only arrangement, "this perfect-on-paper suitor leaves me cold but I can't stop thinking about my forbidden lover", "I'll hide how I'm in love with them because we can never marry, never", rags to riches, long-lost/previously unknown rich family/family member who shows up and makes the character part of their family and fixes their social/financial situation, hurt/comfort (sick/comfort?), that thing where one character collapses and their "secret" lover freaks out making it super obvious he's in love with them, secret couple think they're hiding their secret relationship/feelings successfully but their loved ones suspect something/become aware/totally know

Representation: nonbinary character who uses they/them pronouns, bisexual/pansexual characters including both main characters, I think Roger and his family are Hispanic/Latinx, probably some other characters of color, queernorm, non-sexist & racism-free society; poor character

Trigger warnings: racism/speciesism, including microaggressions and bigoted language;  classism, poverty, a man in his mid-thirties briefly courts an 18-year-old girl who is into him (he's not into her. Several people point out their age gap is gross and he breaks up with her), hunger/food insecurity. (the authors give trigger warnings at the beginning of the book)

Monday, May 12, 2025

Narnia bloggin': more cover art for The Chronicles of Narnia books

 Previously: the different Chronicles of Narnia covers I collect

There were five blog posts between the first Narnia Bloggin' post and the most recent/second post (linked above), so since five more blog posts have been published since that one, it's time for a new Narnia Bloggin' post. Previously I shared about how I collect various cover art versions of The Chronicles of Narnia (TCON), and whether or not I have the full run of each series. I decided to post about other cover art TCON versions and why I don't collect them as well. The main reasons are: 1) I only have so much shelf space, and 2) I am not made of money.

 

Original covers with art by Pauline Baynes - you can see what these look like on this website. I like these well enough, but not enough to purchase them. If I were to find a set of these in good condition for a good price, I might buy them. But that is not very likely to happen. Obviously I am not going to buy actual first editions! I once held a first edition of (I think) The Lion, the Witch, and the Wardrobe (LWW) in my hands once; it was in a rare books store in a giant mall in Las Vegas (possibly Bauman Rare Books). It was so cool. As far as I know reprints of the TCON books with these original covers have not been made, although of course other covers with Pauline Baynes' art exist; I own the full-color editions. 

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PB art circles TCON covers -  The illustrations within each circle are, of course, taken from Pauline Baynes' art. The only one I don't immediately recognize is the one for Prince Caspian (PC); this Reepicheep must have been drawn for one of the many other PB covers and Narnia books she drew for. It does look like her style.

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image source. pay no attention to the Narnia trivia book

TCON covers by David Wiesner - I actually like these a lot, but not enough to buy them (they feel too... cartoony?). Probably my favorite cover of these is The Magician's Nephew (TMN); having having us be able to see a faint reflection of Digory in the silver apple he's holding, plus Jadis hiding behind the tree, is so cool! I think Wiesner's The Voyage of the Dawn Treader (VotDT) is the only copy I can remember seeing that does not have the ship on the cover. 

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TCON covers by Chris Van Allsburg - You may remember Chris Van Allsburg from his iconic books such as Jumanji, Zathura, and The Polar Express. His art is so soft yet detailed and interesting; much less dreamy than it initially looks. I like these covers, but again, not enough to buy them. I like that he chose to show the scene where Doctor Cornelius is giving Caspian an astronomy lesson in the high tower for PC's cover; that scene happens towards the beginning of the book, and most covers just show people or boys fighting with swords etc. His VotDT cover is from nearly the end of the book; very beautiful. Having Jewel the unicorn be shown with blood dripping from his horn for The Last Battle (TLB) is a choice and I respect it. 

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In googling, I just found out about this beautiful collector's edition set from Easton Press. Different colored leather bindings, with one Pauline Baynes illustration from each book done in gold outlines. That price tho! 😭

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Folio Society TCON sets - Speaking of exorbitant prices, apparently at some point in the nineties the Folio Society made a TCON set in this gorgeous, richly detailed gilt style (possible second similar style). I'm sooooo tempted to get one of the under $300 set... but that would be so financially irresponsible... I'll reassess when I'm 40.

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Back in the 2000s, Barnes & Noble made a beautiful leatherbound collector's edition TCON omnibus. I didn't buy it because the cover art was LWW themed and I don't like that for TCON omnibuses. I wish I had; it's not available anymore and the resale prices are ridiculous. :'(

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TCON covers by Steven Lavis - Also from googling, I stumbled on this cover set by Steven Lavis from 1980, possibly from the UK or Canada and almost certainly not published in the US. I like them, especially the additional details at the top of the books above the titles (the wardrobe detail for LWW, etc.). Here's more pictures of the covers as well as the set's slipcover.

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TCON covers by Julek Heller - There appear to be two versions of Heller's cover art: this TCON set with no border, and this TCON set that has cover art inside frames with a lion & unicorn plus other characters/creatures. For some reason those two TCON sets have different covers for PC and TSC. IMO it doesn't make sense to have the Black Knight on the cover of TSC because he barely comes into the story. The LWW cover is a bit spoilery, and the TMN cover is inaccurate because I believe only Digory sees that giant beautiful bird (the kids don't see it while on pegasusback).

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Ok, this is different: here's another probably-foreign TCON set, but this set is in three volumes instead of seven or one. The first volume has TMN, LWW, and The Horse and His Boy (HaHB); the second volume has PC and VotDT, and the third volume has TSC and TLB. That's so random; why would they do it like that? The cover art is pretty, even if the children all seem to have the same face and hair.

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I found some pretty medieval-inspired covers that I like a lot, via the C.S. Lewis editions website. To see the other TCON books' covers in that series, click on each book in the main TCON editions webpage. I would def buy these if I saw them at the thrift store etc. in good condition. I love medieval/renaissance-inspired art.

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Warwick International Publishing House TCON editions - You can see them all here along with their other offerings since I'm too lazy to link to them individually. They look very pretty, and all have that wardrobe frame thing going like the Dillon's covers. Hang on, is the girl (probably Lucy) on the cover of LWW pointing a glowing magic wand at Aslan???? WTF?? Why is he a giant compared to her? If that were the White Witch (which it does not appear to be), Aslan should definitely not be so huge compared to her. PC just shows the lad; VotDT shows Aslan all big over the ship for some reason; HaHB shows a boy on a horse like usual but unusually he's wearing a royal military uniform, not unlike something an actual prince would wear?? That's a spoiler, wtf. TSC's cover is also unusual; I'm guessing that's supposed to be Rilian sitting on the silver chair with the snake around the top? He looks too young and too asleep; otherwise, good/interesting cover. TMN shows Aslan standing behind Digory, who is not dressed like he should be (whither his Eton collar?). It's pretty but meh. TLB's cover is almost identical to VotDT's, only it's Aslan's head over Cair Paravel (I'm guessing). It's pretty but we basically never go to Cair Paravel in TLB.

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more TCON covers by Cliff Neilsen - Apparently Cliff Neilsen, who made one of my favorite TCON cover series, also made another set of digital cover illustrations for the TCON series. TBH I had completely forgotten about them until I started googling the covers. All of the covers are too dark and green, in my opinion. The LWW cover is the worst; it's obviously supposed to be Aslan, but he looks like a taxidermied stuffed lion that has gone evil (the red shading doesn't help). The PC cover is fine, if a bit boring; it's just a sword against a tree. VotDT's is a dark, danky silhouette of the Dawn Treader, which I don't really like. TSC's cover just shows a snake, which is boring. HaHB shows 2 crowns, which I think is a spoiler; it's the only HaHB cover I've seen to not show a horse or a scene from the book. TMN has a dark green apple (which is wrong; the apple was silver). TLB is the only other reddish cover and shows a unicorn as well. Overall I do not like this series of cover art at all; the only thing I do like is that these all have C.S. Lewis' signature on them, which I think is interesting. 

I JUST learned that Cliff Neilsen just redid his TCON digital art covers that I love! I thought I was losing my mind while looking at the various covers on B&N, because most of them just look slightly different, with the exception of LWW. I like them; I think TMN is my favorite. NarniaWeb helpfully posted them all with old/new cover comparisons. 

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via the official Narnia Instagram

I never posted a picture of the new Owen Richardson TCON covers, despite discussing them. I like them, I think. They look dynamic and interesting, if a bit dramatic. I'm not really sure if I'll bother buying them; maybe one at a time via thrift stores etc. like my other TCON editions.

They're also going to come out with a beautiful new collector's edition TCON omnibus. Shut up and take my money!!!